Style
Srikkanth was a stylish opening batsman with a keen eye and sharp reflexes, allowing him to play aggressive attacking strokes with power and precision. Although somewhat rash in execution, which led to his downfall at times, his swashbuckling style and free scoring style were a favourite with Indian crowds, making him a popular player.
His first batting partner and senior Sunil Gavaskar was a vastly different batsman by temperament. Both batsmen had entirely different approaches to their batting — Gavaskar was more the orthodox technically watchful batsman preferring to build a Test innings cautiously wherwas Srikkanth was a quick scoring hitter. Srikkanth redefined one-day batting with his power hitting and often gave wonderful starts to the team against even the toughest of opposition. He was gifted with a good eye and super quick reflexes. Consistency was not his forte. With more technical batsmen in the side during his times like Sunil Gavaskar, Dilip Vengsarkar, Mohinder Amarnath, Ravi Shastri etc., he could fancy taking risks even in early part of the innings and smashing boundaries over the inner ring of fielders. In that sense, he was a pioneer and probably ahead of his time.
Read more about this topic: Krishnamachari Srikkanth
Famous quotes containing the word style:
“Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.”
—Alexander Theroux (b. 1940)
“Style is the man himself.
[Le style c’est l’homme même.]”
—Leclerc, George-Louis Buffon, Comte De (1707–1788)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)