Artists Under The Japanese Invasion and Occupation Period
Korean artists from the middle 1880s til 1945, when Korea was freed by the allies after the unconditional surrender of Japan, had a very difficult time.
From the 1880s onward, the Japanese invaders of Korea attempted both to obliterate and eliminate Korean art itself through looting and destruction of Korean artistic works, and continued as they closed Korean schools of art, torched Korean paintings of Korean subjects, and forced those few artists left to paint Japanese subjects in Japanese styles and so seed Japanese art as the art of the Koreas forever. Japan held an exhibition of the Korea art and produced many Koreans young artists such as Park Su-geun.
To this date there has not been a retrospective show of the hidden art under Japanese occupation, or a discussion of the conflicts between those who were forced into compromise under Japanese artistic demands. It is an issue of great sensitivity, with artists who studied and worked in Japan and painted in the Japanese style forced into self-defense and justification of compromise without other alternatives.
Bridging the late Joseon dynasty and the Japanese occupation period were noteworthy artists such as:
- Chi Un-Yeong (1853–1936)
and others.
Read more about this topic: Korean Painting
Famous quotes containing the words artists, japanese, invasion, occupation and/or period:
“The proper aim of education is to promote significant learning. Significant learning entails development. Development means successively asking broader and deeper questions of the relationship between oneself and the world. This is as true for first graders as graduate students, for fledging artists as graying accountants.”
—Laurent A. Daloz (20th century)
“A pragmatic race, the Japanese appear to have decided long ago that the only reason for drinking alcohol is to become intoxicated and therefore drink only when they wish to be drunk.
So I went out into the night and the neon and let the crowd pull me along, walking blind, willing myself to be just a segment of that mass organism, just one more drifting chip of consciousness under the geodesics.”
—William Gibson (b. 1948)
“In our governments the real power lies in the majority of the community, and the invasion of private rights is chiefly to be apprehended, not from the acts of government contrary to the sense of the constituents, but from the acts in which government is the mere instrument of the majority.”
—James Madison (1751–1836)
“The most useful and honorable science and occupation for a woman is the science of housekeeping. I know some that are miserly, very few that are good managers.”
—Michel de Montaigne (1533–1592)
“Intellectual life is international. Only a period of discouragement, an age that has given up on itself, that wants to “preserve,” that has been driven onto the defensive, can be intellectually nationalist. Such a period is essentially “conservative.” A person who has progress in his heart is international.”
—Robert Musil (1880–1942)