Korean Art - Architecture and Interior Design

Architecture and Interior Design

See also: Korean architecture, Korean architectural ceramics, Korean gardens, and Korean flower arrangement

There is a long tradition of Korean gardens, often linked with palaces.

Patterns often have their origins in early ideographs. Geometric patterns and patterns of plant, animal and nature motifs are the four most basic patterns. Geometric patterns include triangles, squares, diamonds, zigzags, latticework, frets, spirals sawteeth, circles, ovals and concentric circles. Stone Age rock carvings feature animal designs in order to relate to food-gathering activities. These patterns are found doors of temples and shrines, clothes, furniture and daily objects such as fans and spoons.

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Famous quotes containing the words interior design, architecture and, architecture, interior and/or design:

    “Interior design is a travesty of the architectural process and a frightening condemnation of the credulity, helplessness and gullibility of the most formidable consumers—the rich.”
    —Stephen Bayley (b. 1951)

    “The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
    —Federico García Lorca (1898–1936)

    “All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks.”
    —Gilbert Keith Chesterton (1874–1936)

    “When the delicious beauty of lineaments loses its power, it is because a more delicious beauty has appeared; that an interior and durable form has been disclosed.”
    —Ralph Waldo Emerson (1803–1882)

    “For I choose that my remembrances of him should be pleasing, affecting, religious. I will love him as a glorified friend, after the free way of friendship, and not pay him a stiff sign of respect, as men do to those whom they fear. A passage read from his discourses, a moving provocation to works like his, any act or meeting which tends to awaken a pure thought, a flow of love, an original design of virtue, I call a worthy, a true commemoration.”
    —Ralph Waldo Emerson (1803–1882)