Architecture and Interior Design
See also: Korean architecture, Korean architectural ceramics, Korean gardens, and Korean flower arrangementThere is a long tradition of Korean gardens, often linked with palaces.
Patterns often have their origins in early ideographs. Geometric patterns and patterns of plant, animal and nature motifs are the four most basic patterns. Geometric patterns include triangles, squares, diamonds, zigzags, latticework, frets, spirals sawteeth, circles, ovals and concentric circles. Stone Age rock carvings feature animal designs in order to relate to food-gathering activities. These patterns are found doors of temples and shrines, clothes, furniture and daily objects such as fans and spoons.
Read more about this topic: Korean Art
Famous quotes containing the words architecture and, architecture, interior and/or design:
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)
“Art is a jealous mistress, and, if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider.”
—Ralph Waldo Emerson (1803–1882)
“Anyone with a real taste for solitude who indulges that taste encounters the dangers of any other drug-taker. The habit grows. You become an addict.... Absorbed in the visions of solitude, human beings are only interruptions. What voice can equal the voices of solitude? What sights equal the movement of a single day’s tide of light across the floor boards of one room? What drama be as continuously absorbing as the interior one?”
—Jessamyn West (1902–1984)
“Humility is often only the putting on of a submissiveness by which men hope to bring other people to submit to them; it is a more calculated sort of pride, which debases itself with a design of being exalted; and though this vice transform itself into a thousand several shapes, yet the disguise is never more effectual nor more capable of deceiving the world than when concealed under a form of humility.”
—François, Duc De La Rochefoucauld (1613–1680)