Release
The "Kokomo" single backed with "Tutti Frutti" by Little Richard was first released through Elektra Records in July 1988. It peaked at the #1 position on the Billboard charts on November 5, 1988 after knocking out "A Groovy Kind of Love" by Phil Collins. This meant that it was The Beach Boys' first #1 hit in the United States since "Good Vibrations" in 1966, making it the longest time span between two number one hits in America for a band (22 years). It is also their only #1 hit not written or produced by Brian Wilson. After spending just one week at the top of the charts, the single was knocked out of the number one spot by The Escape Club song "Wild, Wild West". After being signed to Capitol Records following the success of the initial single, Capitol issued the song in the United States for a second time. The song was re-released in July 1989 as the B-side of the "Still Cruisin'" single, which peaked at number 93 on the Billboard chart. Capitol again re-issued the song, just two months later, as the B-side of the "Somewhere Near Japan" single, but the single failed to chart.
In the United Kingdom, the single was first issued by Elektra in October 1988. The single peaked at number 25 on the charts. After Capitol had signed the band, as they had in the U.S., they released the single for the second time as the B-side of the "Still Cruisin'" single. However it failed to make any impact on the charts. In Australia the single became the band's third number one hit in Australia after "Do It Again" in 1968 and "Cottonfields" in 1970. In New Zealand the single peaked at the number 5 position. In the Dutch singles chart, the single peaked at the number 6 position. The song also peaked at number 19 in Belgium and at number 7 in Germany.
Read more about this topic: Kokomo (song)
Famous quotes containing the word release:
“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
—Elizabeth Drew (1887–1965)
“If I were to be taken hostage, I would not plead for release nor would I want my government to be blackmailed. I think certain government officials, industrialists and celebrated persons should make it clear they are prepared to be sacrificed if taken hostage. If that were done, what gain would there be for terrorists in taking hostages?”
—Margaret Mead (1901–1978)
“The steel decks rock with the lightning shock, and shake with the
great recoil,
And the sea grows red with the blood of the dead and reaches for his spoil—
But not till the foe has gone below or turns his prow and runs,
Shall the voice of peace bring sweet release to the men behind the
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—John Jerome Rooney (1866–1934)