Biography
Shiga was born in Sendai, Miyagi Prefecture, though his original family name was Satō. He graduated from the Medical School of Tokyo Imperial University in 1896 and went to work at the Institute for the Study of Infectious Diseases under Dr. Kitasato Shibasaburō. Shiga became famous for the discovery of Shigella dysenteriae, the bacillus causing dysentery, in 1897, during a severe epidemic in which more than 90,000 cases were reported, with a mortality rate approaching 30%. The bacterium Shigella was thus named after him, as well as the shiga toxin, which is produced by the bacterium.
After the discovery of Shigella, Shiga worked with Paul Ehrlich in Germany from 1901 to 1905. After returning to Japan, he resumed the study of infectious diseases with Dr. Kitasato. He became a professor at Keio University in 1920.
From 1929-31, Shiga was the president of Keijō Imperial University in Keijo (Seoul) and was senior medical advisor to the Japanese Governor-General of Korea. Shiga was a recipient of the Order of Culture in 1944. He was also awarded the Order of the Sacred Treasure, 1st class, on his death in 1957.
Read more about this topic: Kiyoshi Shiga
Famous quotes containing the word biography:
“There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.”
—F. Scott Fitzgerald (1896–1940)
“Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.”
—James Boswell (1740–95)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)