King's Gambit - History

History

The King's Gambit was one of the most popular openings for over 300 years, and has been played by many of the strongest players, in many of the greatest brilliancies, including the Immortal Game; nonetheless, players have held widely divergent views on it. François-André Danican Philidor (1726–95), the greatest player and theorist of his day, wrote that the King's Gambit should end in a draw with best play by both sides, stating that "a gambit equally well attacked and defended is never a decisive, either on one side or the other." Writing over 150 years later, Siegbert Tarrasch, one of the world's strongest players in the late 19th and early 20th centuries, pronounced the opening "a decisive mistake" and wrote that "it is almost madness to play the King's Gambit." Similarly, future World Champion Bobby Fischer wrote a famous article, "A Bust to the King's Gambit", in which he stated, "In my opinion the King's Gambit is busted. It loses by force" and offered his Fischer Defense (3...d6) as a refutation.

None of these pronouncements, however, have proven to be actual refutations of the King's Gambit. Although the King's Gambit has been rare in modern Grandmaster play, a handful of grandmasters have continued to use it, including Joseph Gallagher, Hikaru Nakamura, Nigel Short, and Alexei Fedorov. It was also part of the arsenal of David Bronstein, who almost singlehandedly brought the opening back to respectability in modern play. The King's Gambit is also frequently seen in club play.

Read more about this topic:  King's Gambit

Famous quotes containing the word history:

    The foregoing generations beheld God and nature face to face; we, through their eyes. Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs?
    Ralph Waldo Emerson (1803–1882)

    No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.
    Gilbert Keith Chesterton (1874–1936)

    ... in a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.
    Adrienne Rich (b. 1929)