Two Cultures
Archaeologists, following J.N.L. Myres, detect in the post-Roman period two distinct principal pre-Christian cultures in Kent, identifiable by their by no means homogeneous grave goods. The poorer one, still occasionally practising cremation, has affinities in its pottery and its brooches with Saxons and Frisians. The other Myres distinguished by their wheel-thrown pottery of Frankish technique and precious metals, garnets, glass, amethysts and other luxuries in personal adornment and in skilful metalworking techniques in enamel, niello and filigree unparalleled elsewhere in sub-Roman Britain. A critical unsolved problem in the early history is the relationship of these cultures, overlapping in time, the Frankish material culture, perhaps, according to H.R. Loyn the remains of a richer culture of foederati and their successors, the poorer culture setting up farmsteads under the protection of a warrior aristocracy that expanded from a base in East Kent, the Isle of Thanet and Canterbury.
Read more about this topic: Kingdom Of Kent
Famous quotes containing the word cultures:
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)
“There has never been in history another such culture as the Western civilization M a culture which has practiced the belief that the physical and social environment of man is subject to rational manipulation and that history is subject to the will and action of man; whereas central to the traditional cultures of the rivals of Western civilization, those of Africa and Asia, is a belief that it is environment that dominates man.”
—Ishmael Reed (b. 1938)