Kingdom Of Gwynedd
Gwynedd was one petty kingdom of several Welsh successor states which emerged in 5th-century post-Roman Britain in the Early Middle Ages, and later evolved into a principality during the High Middle Ages. It was based on the former Brythonic tribal lands of the Ordovices, Gangani, and the Deceangli which were collectively known as Venedotia in late Romano-British documents. Between the 5th and 13th centuries Gwynedd grew to include Ynys Môn (Anglesey) and all of north Wales between the River Dyfi in the south and River Dee (Welsh Dyfrdwy) in the northeast. The Irish sea (Môr Iwerddon) washes the coast of Gwynedd to the west and north and lands formerly part of the Kingdom of Powys border Gwynedd in the south-east.
Gwynedd's strength lay in part due to the region's mountainous geography which made it difficult for foreign invaders to campaign in the country and impose their will effectively.
Popular tradition attributed to Nennius, a 10th-century Welsh chronicler, traced Gwynedd's foundation to Cunedda. According to Nennius, Cunedda migrated with his sons and followers from Brythonic Lothian, in southern Scotland, in the 5th century.
The main court of the Kingdom of Gwynedd was originally at Deganwy Castle, where Maelgwn Gwynedd (died 547) had his stronghold. The senior line of descendants of Rhodri the Great would make Aberffraw on Ynys Mon as their principal seat until 1170. In the 13th century, Llywelyn Fawr, his son Dafydd ap Llywelyn and grandson Llywelyn ap Gruffudd had Abergwyngregyn on the north coast as their home.
Read more about Kingdom Of Gwynedd: Etymology, History, End of Independence, Welsh in Warfare, Administration, Images of Gwynedd
Famous quotes containing the words kingdom of and/or kingdom:
“The masses of the sea
The masses of the sea under
The masses of the infant-bearing sea
Erupt, fountain, and enter to utter for ever
Glory glory glory
The sundering ultimate kingdom of genesis thunder.”
—Dylan Thomas (19141953)
“There exists a black kingdom which the eyes of man avoid because its landscape fails signally to flatter them. This darkness, which he imagines he can dispense with in describing the light, is error with its unknown characteristics.... Error is certaintys constant companion. Error is the corollary of evidence. And anything said about truth may equally well be said about error: the delusion will be no greater.”
—Louis Aragon (18971982)