Plot
In the autumn of 1932, at the height of the Great Depression in New York City, Ann Darrow has lost her job as a vaudeville actress but is hired by troubled filmmaker Carl Denham to act in his new film. Ann signs on when she learns her favourite playwright, Jack Driscoll, is the screenwriter. As their tramp steamer SS Venture sails to the mysterious Skull Island, Ann and Jack fall in love. Captain Englehorn begins to have second thoughts following the fears of his crew about Skull Island and its strange creatures that have evolved apart from the outside world. Deep in the southern seas the Venture receives a radio message from its owners informing Englehorn about an arrest warrant for Carl and instructing him to divert to Rangoon. Despite his attempt to turn around, the ship is lost in fog and runs aground on rocks encircling Skull Island.
Carl and his crew explore the island to film and are attacked by vicious natives. The sound technician and one of the sailors are killed, and Jack is knocked unconscious. Ann screams as she is captured, and a roar beyond the wall responds. The matriarch of the tribe vows to sacrifice her to "Kong", a 25 ft (8m) tall gorilla. Englehorn and his crew break up the attack and return to the stranded ship. They lighten their load to float off the rocks and carry out repairs to the hull, but Jack discovers Ann has been kidnapped. On the island, Ann is hung from a primitive drawbridge on the side of the wall. The crew comes armed, but is too late as Kong takes Ann into the jungle. As time passes in her captivity, Ann wins over Kong with juggling and dancing, and begins to grasp Kongs' intelligence and capacity for emotion.
Englehorn organizes a rescue party led by Hayes. The rescue party is caught up in a Venatosaurus pack's hunt of Apatosaurus, and the cameraman is killed along with three sailors. The rest of the rescue party come across a swamp where Bruce Baxter and two others leave the group. While making their way across a giant fallen log, Kong arrives and attacks the rescue party. Hayes is killed and the rest of the crew are shaken off the log into a ravine. Kong returns to Ann and rescues her from three Vastatosaurus rex, then takes her to his mountain lair. Englehorn and the rest of the crew save what is left of the rescue party from a pit of giant insects, and as Jack continues searching for Ann, Carl decides to capture Kong. Jack goes to Kong's lair, inadvertently waking him. As Kong fights a swarm of flying Terapusmordax, Ann and Jack escape by grabbing the wing of one of the bats and then jumping into a river. They arrive at the village wall with the angry Kong following them, and Ann becomes distraught by what Carl plans to do. Kong bursts through the gate and struggles to get her back, but is knocked out by chloroform.
In New York, in the late winter of 1933, Carl presents a chained Kong the Eighth Wonder of the World on Broadway, starring Baxter and an imprisoned Kong. Ann has become an anonymous chorus girl. Camera flashes from photographers enrage the gorilla. Kong breaks free from his chrome-steel chains and chases Jack across town, where Kong encounters Ann again. Kong and Ann share a quiet moment on a frozen lake in Central Park before the army attacks. Kong climbs with Ann onto the dome of the Empire State Building, where he fights off a flight of six Curtiss Falcon fighter planes sent to attack him, downing three. Kong is hit by several bursts of gunfire, and gazes at Ann for the last time before dying and falling from the building. Ann is greeted by Jack as reporters gather around Kong's carcass. Carl takes a last look and says, "It wasn't the airplanes. It was Beauty killed the Beast."
Read more about this topic: King Kong (2005 film)
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)