King Kong - Television

Television

  • The King Kong Show (1966). In this cartoon series, the giant gorilla befriends the Bond family, with whom he goes on various adventures, fighting monsters, robots, mad scientists and other threats. Produced by Rankin/Bass, the animation was provided in Japan by Toei Animation, making this the very first anime series to be commissioned right out of Japan by an American company. This was also the cartoon that resulted in the production of Toho's Godzilla vs. the Sea Monster (originally planned as a Kong film) and King Kong Escapes.
  • Kong: The Animated Series (2001). An animated production set many decades after the events of the original film. "Kong" is cloned by a female scientist. This show, coming a few years after the release of Centropolis' Godzilla: the Series repeated at least two of the monsters (although with vastly different backgrounds) seen in the Godzilla series.
    • A direct-to-DVD movie called Kong: King of Atlantis, based on the 2001 series, was released to try and cash in on the 2005 movie. Both the series and the movie were then included in Toon Disney's "Jetix" group for a time, also to take advantage of the 2005 movie's release. A year later, a follow up direct-to-DVD film was released called Kong: Return to the Jungle.
  • The King Kong suit from King Kong Escapes appeared on Ike! Greenman episode 38 called Greenman vs Gorilla. Due to copyright reasons King Kong's name was changed to Gorilla.

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Famous quotes containing the word television:

    We cannot spare our children the influence of harmful values by turning off the television any more than we can keep them home forever or revamp the world before they get there. Merely keeping them in the dark is no protection and, in fact, can make them vulnerable and immature.
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    So why do people keep on watching? The answer, by now, should be perfectly obvious: we love television because television brings us a world in which television does not exist. In fact, deep in their hearts, this is what the spuds crave most: a rich, new, participatory life.
    Barbara Ehrenreich (b. 1941)