History
The house and gardens were built in 1897 for Mrs. Cornelia A. Hill, one of the pioneers of Redlands. In 1905, John Alfred Kimberly, a co-founder of Kimberly-Clark paper company, purchased the home to escape the Wisconsin winters, giving the family name to the property. The family celebrated the holidays at the property with a 90-foot (27 m) Magnolia tree adorned with 6000 watts of light. The Kimberly family continued to live in the home until the death in 1979 of Mary Kimberly Shirk, the widowed daughter of John Alfred Kimberly.
Before her death, Mrs. Shirk challenged the city of Redlands to raise the funds to purchase the property around the home and turn it into a 39 acres (0.06 sq mi; 0.16 km2) botanical park. If the funds were raised, she promised to bequeath the mansion and its 6.25 acres (0.01 sq mi; 0.03 km2) estate to the city. The city raised the funds, and the surrounding grounds became known as Prospect Park. At her death, Mrs. Shirk left the home to "the people of Redlands" and used the proceeds from the sale of Prospect Park to establish the Kimberly-Shirk Association which continues to care for the home today.
Prior to the conversion to museum, the mansion served as one of the filming locations for the 1981 movie Hell Night, starring Linda Blair. In the film, underground tunnels were depicted, but the house and the estate have no such feature. Later, grounds served as the setting of Fleetwood Mac's Big Love video. Shots depicting the inside of the home were filmed on a sound stage.
Read more about this topic: Kimberly Crest
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“If man is reduced to being nothing but a character in history, he has no other choice but to subside into the sound and fury of a completely irrational history or to endow history with the form of human reason.”
—Albert Camus (1913–1960)
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)
“What is most interesting and valuable in it, however, is not the materials for the history of Pontiac, or Braddock, or the Northwest, which it furnishes; not the annals of the country, but the natural facts, or perennials, which are ever without date. When out of history the truth shall be extracted, it will have shed its dates like withered leaves.”
—Henry David Thoreau (1817–1862)