Keyboard Instrument - History

History

Among the very earliest keyboard instruments are the pipe organ, hurdy gurdy, clavichord and harpsichord. The organ is without doubt the oldest of these, appearing in the 3rd century BC, though this early instrument—called hydraulis—did not use a keyboard in the modern sense. From its invention until the 14th century, the organ remained the only keyboard instrument. Often, the organ did not feature a keyboard at all, rather buttons or large levers which were operated by a whole hand. Almost every keyboard until the 15th century had naturals to each octave.

The clavichord and the harpsichord appeared during the 14th century, the clavichord probably being the earlier. The harpsichord and the clavichord were both very common until the widespread adoption of the piano in the 18th century, after which their popularity decreased. The piano was revolutionary because a pianist could vary the volume (or dynamics) of the sound by varying the vigor with which each key was struck. The piano's full name is "gravicèmbalo con piano e forte" meaning "harpsichord with soft and loud" but can be shortened to "piano-forte", which means "soft-loud" in Italian. In its current form, the piano is a product of the 20th century, and is far removed in both sound and appearance from the "pianos" known to Mozart, Haydn, and Beethoven. In fact, the modern piano is significantly different from even the 19th-century pianos used by Liszt, Chopin, and Brahms.

Keyboard instruments were further developed in the early 20th century. Early electromechanical instruments, such as the Ondes Martenot, appeared early in the century. This was a very important contribution to the keyboard's history.

The five accidentals written as sharps are: C♯, D♯, F♯, G♯, and A♯.

Read more about this topic:  Keyboard Instrument

Famous quotes containing the word history:

    The foregoing generations beheld God and nature face to face; we, through their eyes. Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs?
    Ralph Waldo Emerson (1803–1882)

    There is nothing truer than myth: history, in its attempt to “realize” myth, distorts it, stops halfway; when history claims to have “succeeded” this is nothing but humbug and mystification. Everything we dream is “realizable.” Reality does not have to be: it is simply what it is.
    Eugène Ionesco (b. 1912)

    The history of all hitherto existing society is the history of class struggles.
    Karl Marx (1818–1883)