Key Signature - History

History

The use of a one-flat signature developed in the Medieval period, but signatures with more than one flat did not appear until the 16th century, and signatures with sharps not until the mid-17th century.

When signatures with multiple flats first came in, the order of the flats was not standardized, and often a flat appeared in two different octaves, as shown at right. In the late 15th and early 16th centuries, it was common for different voice parts in the same composition to have different signatures, a situation called a partial signature or conflicting signature. This was actually more common than complete signatures in the 15th century. The 16th-century motet Absolon fili mi attributed to Josquin des Prez features two voice parts with two flats, one part with three flats, and one part with four flats.

Baroque music written in minor keys often was written with a key signature with fewer flats than we now associate with their keys; for example, movements in C minor often had only two flats (because the A♭ would frequently have to be sharpened to A♮ in the ascending melodic minor scale, as would the B♭).

Read more about this topic:  Key Signature

Famous quotes containing the word history:

    Both place and time were changed, and I dwelt nearer to those parts of the universe and to those eras in history which had most attracted me.
    Henry David Thoreau (1817–1862)

    The only thing worse than a liar is a liar that’s also a hypocrite!
    There are only two great currents in the history of mankind: the baseness which makes conservatives and the envy which makes revolutionaries.
    Edmond De Goncourt (1822–1896)

    The history of all hitherto existing society is the history of class struggles.
    Karl Marx (1818–1883)