Legacy
The modular expansion of Tange's Metabolist visions had some influence on Archigram with their plug-in mega structures. The Metabolist movement gave momentum to Kikutake's career. Although his Marine City proposals (submitted by Tange at CIAM) were not realised, his Miyakonojo City Hall (1966) was a more Metabolist example of Tange's own Nichinan Cultural Centre (1962). Although the Osaka Expo had marked a decline in the Metabolist movement, it resulted in a "handing over" of the reigns to a younger generation of architects such as Kazuo Shinohara and Arata Isozaki.
In an interview with Jeremy Melvin at the Royal Academy of Arts, Kengo Kuma explained that, at the age of ten, he was inspired to become an architect after seeing Tange's Olympic arenas, which were constructed in 1964.
For Reyner Banham, Tange was a prime exemplar of the use of Brutalist architecture. His use of Béton brut concrete finishes in a raw and undecorated way combined with his civic projects such as the redevelopment of Tokyo Bay made him a great influence on British architects during the 1960s. Brutalist architecture has been criticised for being soulless and for promoting the exclusive use of a material that is poor at withstanding long exposures to natural weather.
He received the AIA Gold Medal in 1966.
Tange's son Paul Noritaka Tange graduated from Harvard University in 1985 and went on to join Kenzo Tange Associates. He became the president of Kenzo Tange Associates in 1997 before founding Tange Associates in 2002.
Read more about this topic: Kenzo Tange
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“What is popularly called fame is nothing but an empty name and a legacy from paganism.”
—Desiderius Erasmus (c. 1466–1536)