Text
This is a transliteration of the stone:
| “ |
8 : göter : ok : 22 : norrmen : po : |
” |
The lateral (or side) text reads:
| “ |
här : (10) : mans : ve : havet : at : se : |
” |
Translation:
Eight Götalanders and 22 Northmen on (this?) acquisition journey from Vinland far to the west. We had a camp by two (shelters?) one day's journey north from this stone. We were fishing one day. After we came home, found 10 men red from blood and dead. Ave Maria save from evil. There are 10 men by the inland sea to look after our ships fourteen days journey from this peninsula (or island). Year 1362
When the original text is transcribed to the Latin script, the message becomes quite easy to read for any modern Scandinavian. This fact is one of the main arguments against the authenticity of the stone. The language of the inscription bears much closer resemblance to 19th century than 14th century Swedish.
The AVM is historically consistent since any Scandinavian explorers would have been Catholic at that time.
Read more about this topic: Kensington Runestone
Famous quotes containing the word text:
“Don Pedro. But when shall we set the savage bull’s horns on the sensible Benedick’s head?
Claudio. Yes, and text underneath, “Here dwells Benedick, the married man?””
—William Shakespeare (1564–1616)
“The power of a text is different when it is read from when it is copied out.... Only the copied text thus commands the soul of him who is occupied with it, whereas the mere reader never discovers the new aspects of his inner self that are opened by the text, that road cut through the interior jungle forever closing behind it: because the reader follows the movement of his mind in the free flight of day-dreaming, whereas the copier submits it to command.”
—Walter Benjamin (1892–1940)
“Great speeches have always had great soundbites. The problem now is that the young technicians who put together speeches are paying attention only to the soundbite, not to the text as a whole, not realizing that all great soundbites happen by accident, which is to say, all great soundbites are yielded up inevitably, as part of the natural expression of the text. They are part of the tapestry, they aren’t a little flower somebody sewed on.”
—Peggy Noonan (b. 1950)