Loggins and Messina
Jim Messina, formerly of Poco and Buffalo Springfield, was working as an independent record producer for Columbia Records in 1970 when he was introduced to Kenny Loggins, then a little-known singer/songwriter who was signed to ABC-Dunhill.
The two recorded a number of Loggins' compositions in Messina's home living room. When Columbia signed Loggins to a six-album contract (with the assistance of Messina), recording began in earnest for Loggins' debut album, with Messina as producer. Messina originally intended to lend his name to the Loggins project only to help introduce the unknown Loggins to Messina's well-established Buffalo Springfield and Poco audiences. But by the time the album was completed, Messina had contributed so much to the album - in terms of songwriting, arrangement, instrumentation, and vocals - that an "accidental" duo was born. Thus, the full name of their first album was Kenny Loggins with Jim Messina Sittin' In.
Although the album went unnoticed by radio upon release, it eventually found success by autumn 1972, particularly on college campuses where the pair toured heavily. Loggins' and Messina's harmonies meshed so well that what was begun as a one-off album became an entity unto itself. Audiences regarded the pair as a genuine duo rather than as a solo act with a well-known producer. Instead of continuing to produce Loggins as a sole performer, they decided to record as a duo – Loggins & Messina.
"When our first album, 'Sittin' In', came out, we started receiving a lot of excitement about the music and good sales," Messina recalled in 2005. "We had a choice. It was either I now go on and continue to produce him and we do the solo career or we stay together and let this work. For me, I did not desire to go back out on the road. I had had enough of that, and I wanted to produce records. But Clive Davis (then president of the record company) intervened and said, 'You know, I think you'd be making a mistake if you guys didn't take this opportunity. Things like this only happen once in a lifetime. It may merit you sleeping on it overnight and making a decision that will be in your best interest.' He was absolutely correct. Kenny made the decision as well. It delayed his solo career, but it gave him an opportunity, I think, to have one."
Over the next four years they produced five more albums of original material in the studio, plus one album of covers of other artists' material, and two live albums. They sold 16 million records and were the most successful duo of the early 1970s, surpassed later in the decade only by Hall & Oates. Their work was covered by other artists, such as Lynn Anderson, who recorded "Listen to a Country Song," which was released in 1972 and reaching No. 3 on the charts, and, perhaps most notably, Anne Murray, who reached the U.S. top ten with "Danny's Song" in early 1973 and again with "A Love Song" the following year. A greatest-hits album, The Best of Friends, would be released a year after the duo had separated. The later studio albums often found both Loggins and Messina more as two solo artists sharing the same record rather than as a genuine partnership. As both Loggins and Messina noted in 2005, their collaboration eventually became more a competition - a frequent, almost-inevitable dynamic of show business duos.
The pair had by early 1976 quietly but amicably parted to pursue solo careers, following the release of Native Sons.
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