Work
Pike is best known for his distinction between the emic and the etic. "Emic" (as in "phonemics") refers to the subjective understanding and account of meaning in the sounds of languages, while "etic" (as in phonetics") refers to the objective study of those sounds. Pike argued that only native speakers are competent judges of emic descriptions, and are thus crucial in providing data for linguistic research, while investigators from outside the linguistic group apply scientific methods in the analysis of language, producing etic descriptions which are verifiable and reproducible. Pike himself carried out studies of indigenous languages in Australia, Bolivia, Ecuador, Ghana, Java, Mexico, Nepal, New Guinea, Nigeria, the Philippines, and Peru.
Pike developed his theory of tagmemics to help with the analysis of languages from Central and South America, by identifying (using both semantic and syntactic elements) strings of linguistic elements capable of playing a number of different roles.
Pike's approach to the study of language put him outside the circle of the "generative" movement begun by Noam Chomsky, a dominant linguist, since Pike believed that the structure of language should be studied in context, not just single sentences, as seen in the title of his magnum opus "Language in relation to a unified theory of the structure of human behavior" (1967).
He became well known for his "monolingual demonstrations". He would stand before an audience, with a large number of chalkboards. A speaker of a language unknown to him would be brought in to work with Pike. Using gestures and objects, not asking questions in a language that the person might know, Pike would begin to analyze the language before the audience.
Pike also developed the constructed language Kalaba-X for use in teaching the theory and practice of translation.
When asked whether he was a missionary or a linguist, he replied "I am a mule." He explained that a mule is part horse, part donkey, combining traits of each. He pointed out that sometimes he did more of the work of a horse, other times he did more of the work of a donkey, but he was always both (Headland 2001:508).
Read more about this topic: Kenneth Lee Pike
Famous quotes containing the word work:
“Art should exhilarate, and throw down the walls of circumstance on every side, awakening in the beholder the same sense of universal relation and power which the work evinced in the artist, and its highest effect is to make new artists.”
—Ralph Waldo Emerson (1803–1882)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“Emperor Joseph II: Your work is ingenious. It’s quality work, and there are simply too many notes, that’s all. Just cut a few and it will be perfect.
Mozart: Which few did you have in mind, majesty?”
—Peter Shaffer (b. 1926)