Kenneth Anger

Kenneth Anger (born Kenneth Wilbur Anglemeyer; February 3, 1927) is an American underground experimental filmmaker, actor and author of two controversial Hollywood Babylon books. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle", and form the basis of Anger's reputation as one of the most influential independent filmmakers in cinema history. His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle." Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalisation of homosexuality in the United States. He has also focused upon occult themes in many of his films, being fascinated by the notorious English occultist Aleister Crowley, and is a follower of Crowley's religion, Thelema.

Born to a middle-class family in Santa Monica, California, Anger would later claim to have been a child actor who appeared in the film A Midsummer Night's Dream (1935); the accuracy of this claim has come under dispute. He began making short films when he was ten years old, although his first film to gain any recognition, the homoerotic Fireworks (1947), would only be produced a decade later. The controversial nature of the work led to him being put on trial on obscenity charges, but he was acquitted. A friendship and working relationship began subsequently with pioneering sexologist Alfred Kinsey. Moving to Europe, Anger produced a number of other shorts inspired by the artistic avant-garde scene on the continent, such as Rabbit's Moon (released 1970) and Eaux d'Artifice (1953).

Returning to the United States in 1953, he set about working on several new projects, including the films Inauguration of the Pleasure Dome (1954), Scorpio Rising (1964), Kustom Kar Kommandos (1965), and the gossip book Hollywood Babylon (1965). Getting to know several notable countercultural figures of the time, including Tennessee Williams, Mick Jagger, Keith Richards, Jimmy Page, Marianne Faithfull and Anton LaVey, Anger involved them in his subsequent Thelemite-themed works, Invocation of My Demon Brother (1969) and Lucifer Rising (1972). Following his failure to produce a sequel to Lucifer Rising, Anger retired from filmmaking in the early 1980s, instead publishing the book Hollywood Babylon II (1982). At the dawn of the 21st century he once more returned to filmmaking, producing shorts for various film festivals and events.

Anger has described filmmakers such as Auguste and Louis Lumière, Georges Méliès, and Maya Deren as influences, and has been cited as an important influence on later film directors like Martin Scorsese, David Lynch and John Waters. He has also been described as having "a profound impact on the work of many other filmmakers and artists, as well as on music video as an emergent art form using dream sequence, dance, fantasy, and narrative."