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He was voiced by Scott McNeil in the Street Fighter animated series. In Street Fighter II V, he was voiced by Jimmy Theodore in the Animaze dub and Jason Douglas in the ADV Films dub and in Street Fighter II: The Movie, he was voiced by Eddie Frierson. He was voiced by Kazuya Ichijo in Japanese and Steven Blum in the dub for the Street Fighter Alpha movie. In Street Fighter II V and the Street Fighter II animated movie, Ken is depicted with reddish hair.
Damian Chapa portrayed Ken in the 1994 Street Fighter movie, where he is a con artist alongside Ryu. After the two unsuccessfully try to scam Shadaloo Tong leader Sagat, they are arrested by Allied Nations forces. Guile offers them their freedom in exchange for infiltrating Bison's base (to whom Sagat runs guns) and revealing its location so that the AN can make a military strike and free the hostages captured earlier in the film. When Guile eventually infiltrates Sagat's base and chaos ensues Ryu and Ken try to help free the hostages but split up when the AN forces arrive (according to Ken the soldiers get paid and that they should not risk their lives). Ken later comes to Ryu's aid when he is ambushed by Vega and Sagat. While Ryu defeats Vega, Ken defeats Sagat.
Christian Howard played Ken in Street Fighter: Legacy. Reuben Langdon, who provides Ken's voice and motion capture in the Street Fighter IV series, plays him in the live-action short film Street Fighter x Tekken: The Devil Within.
Ken made a cameo appearance in the Disney film Wreck-It Ralph, with Langdon reprising his role.
Read more about this topic: Ken Masters
Famous quotes containing the word media:
“The media network has its idols, but its principal idol is its own style which generates an aura of winning and leaves the rest in darkness. It recognises neither pity nor pitilessness.”
—John Berger (b. 1926)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)