Style
Burns frequently incorporates simple musical leitmotifs or melodies. For example, The Civil War features a distinctive violin melody throughout, "Ashokan Farewell", which was performed for the film by the musician Jay Ungar. One critic noted, "One of the most memorable things about The Civil War was its haunting, repeated violin melody, whose thin, yearning notes seemed somehow to sum up all the pathos of that great struggle."
Burns often gives "life" to still photographs by slowly zooming in on subjects of interest and panning from one subject to another. For example, in a photograph of a baseball team, he might slowly pan across the faces of the players and come to rest on the player who is the subject of the narrator. This technique, possible in many professional and home software applications, is termed "The Ken Burns effect" in Apple's iPhoto and iMovie software applications.
As a museum retrospective noted, "His PBS specials strikingly out of step with the visual pyrotechnics and frenetic pacing of most reality-based TV programming, relying instead on techniques that are literally decades old, although Burns reintegrates these constituent elements into a wholly new and highly complex textual arrangement."
In a 2011 interview, Burns stated that he admires and is influenced by filmmaker Errol Morris.
Read more about this topic: Ken Burns
Famous quotes containing the word style:
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—Henry David Thoreau (1817–1862)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
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“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
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