Movies Filmed At Kemper
At one time, Kemper was asked to be the location to shoot the movie National Lampoon's Animal House. Kemper turned down the offer. In 1981, the makers of Taps made an offer to shoot the movie at Kemper. The president at the time, General Blakefield, declined the request, despite the financial opportunity it presented for Kemper, stating that "it portrayed the military school student as a radical."
Since the campus has a 19th century feel, it has been used as the setting for a number of movies. The motion pictures Combat Academy (a very low-quality takeoff on Police Academy) and Child's Play 3 were filmed at the school with cadets and instructors serving as extras. The school depicted in Child's Play 3 was reputedly modeled after Kemper itself.
In September and October 2007, Kemper's abandoned campus was used for location shots for the movie Saving Grace, which is about a little girl's trip back to Boonville in the summer of 1951, the year of the great Missouri River flood. Many downtown Boonville buildings were also used for filming, with Kemper the setting for an asylum. The movie, released in 2008, was directed by Connie Stevens and stars Penelope Ann Miller, Tatum O'Neal, Joel Gretsch, Piper Laurie and Michael Biehn.
Read more about this topic: Kemper Military School
Famous quotes containing the words movies and/or filmed:
“It’s the movies that have really been running things in America ever since they were invented. They show you what to do, how to do it, when to do it, how to feel about it, and how to look how you feel about it. Everybody has their own America, and then they have the pieces of a fantasy America that they think is out there but they can’t see.”
—Andy Warhol (1928–1987)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)