Description of Work
Armstrong's Women of the Otherworld series is part of a recently popular contemporary fantasy subgenre of the fantasy genre that superimposes supernatural characters upon a backdrop of contemporary North American life, with strong romantic elements. Within that subgenre, she is notable for including many types of supernatural characters, including witches, sorcerers, werewolves, necromancers, ghosts, shamans, demons and vampires, rather than limiting herself primarily to a single type of supernatural creature. Most of her works have a mystery genre plot, with leading characters investigating some novel situation or unsolved question.
In the Otherworld novels to date, most supernatural powers are either hereditary, or arise from the act of an existing supernatural of the same type. The Otherworld, while it has overarching conflicts and plotlines that span multiple novels is, thus far, not an epic battle between good and evil. The novels are largely episodic with the continuing plotlines primarily involving the developing lives of the main characters.
Her contemporary fantasy writings share genre similarities with writers Charlaine Harris, Laurell K Hamilton and Kim Harrison.
Read more about this topic: Kelley Armstrong
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“Whose are the truly labored sentences? From the weak and flimsy periods of the politician and literary man, we are glad to turn even to the description of work, the simple record of the month’s labor in the farmer’s almanac, to restore our tone and spirits.”
—Henry David Thoreau (1817–1862)
“Whose are the truly labored sentences? From the weak and flimsy periods of the politician and literary man, we are glad to turn even to the description of work, the simple record of the month’s labor in the farmer’s almanac, to restore our tone and spirits.”
—Henry David Thoreau (1817–1862)
“Everything to which we concede existence is a posit from the standpoint of a description of the theory-building process, and simultaneously real from the standpoint of the theory that is being built. Nor let us look down on the standpoint of the theory as make-believe; for we can never do better than occupy the standpoint of some theory or other, the best we can muster at the time.”
—Willard Van Orman Quine (b. 1908)
“I have long been of the opinion that if work were such a splendid thing the rich would have kept more of it for themselves.”
—Bruce Grocott (b. 1940)