Film and Television Acting
In 1980–81, David honed his craft touring the country with John Houseman's The Acting Company in productions of A Midsummer Night's Dream and Samuel Beckett's Waiting For Godot. Less than two years later he went on to star as Childs, opposite Kurt Russell in John Carpenter's The Thing, and his lengthy on-screen career had begun. In the '80s run of Mister Rogers' Neighborhood, he portrayed Keith the Southwood Carpenter in the Neighborhood of Make-Believe segments. He also played Keith, the game coin collector in an episode where Rogers and a small child learn to play the arcade game Donkey Kong.
He went on to appear in films such as Oliver Stone's Platoon, They Live (reuniting with The Thing director, John Carpenter), Road House, Men at Work, Marked for Death, and Stars and Bars. He played the character of Kirby, the one legged war veteran, in the acclaimed 1995 Hughes Brothers film Dead Presidents, and he appeared in the 1995 Spike Lee's film Clockers, and followed this up with roles in big films such as Volcano, Armageddon, There's Something About Mary, Pitch Black, Barbershop, Agent Cody Banks, The Chronicles of Riddick, Crash, ATL, Delta Farce, and First Sunday. He also portrayed "Father" in the movie Mr. and Mrs. Smith. At the same time he has appeared in numerous independent films including the critically acclaimed Requiem for a Dream, playing the role of Big Tim. He has also appeared extensively in TV productions since the 1980s and as a regular character Lieutenant Williams on the short-lived TV series The Job. He was a regular on another shoot made for ABC entitled The Big House in 2004. David played the male lead role in Deon Taylor's slasher flick Chain Letter.
Recently, he played Max Malini on the NBC TV Show The Cape. On April 18, 2011, Keith appeared in the 21st episode of season one of Hawaii Five-0 as criminal tycoon Jimmy Cannon. In 2012 he appeared in the horror film Smiley (2012 film) and the science-fiction drama Cloud Atlas.
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Famous quotes containing the words film and television, film, television and/or acting:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
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—François Truffaut (1932–1984)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
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—Laurence Sterne (1713–1768)