Keep Yourself Alive - Writing and Recording

Writing and Recording

According to Mark Hodkinson, author of Queen: The Early Years, "Keep Yourself Alive" was conceived on acoustic guitars during Queen's practice sessions at Imperial College and the garden at Ferry Road in 1970. At the time Queen had not yet found a permanent bassist; the group consisted of guitarist Brian May, singer Freddie Mercury and drummer Roger Taylor. In a radio special about their 1977 album News of the World, May said he had penned the lyrics thinking of them as ironic and tongue-in-cheek, but their sense was completely changed when Freddie Mercury sang them.

The first version of "Keep Yourself Alive" was recorded in summer 1971 at De Lane Lea Studios. It was produced by Louie Austin and includes the intro played on Brian May's Hairfred acoustic guitar. All of the song elements were already present, including call-and-response vocals by Freddie Mercury (verses) and during the break, where Roger Taylor sang a line and Mercury answered it. This demo version remains Brian May's favourite take of the song.

Subsequently they did several attempts to "recapture the magic" when they went on to do the "real" version at Trident Studios. The one mixed by Mike Stone was the only one moderately accepted, and it's the one released as single. It includes Freddie Mercury doing all of the harmony vocals in the chorus (multi-tracking himself) and Brian May singing the "two steps nearer to my grave" line instead of Mercury (who did it live and in earlier versions). This recording does not use acoustic guitar; the printed transcription on EMI Music Publishing's Off the Record' sheet music lists at least seven electric guitar parts, one of which uses a prominent phasing effect. It can also be noted that this recording includes the line "Come on and get it, get it, get it boy, keep yourself alive," which was not in the original version.

A third version of the song also exists; the so-called "Long-Lost Retake", recorded in 1975, was originally intended for an American single release and features what could now be considered a more 'traditional' Queen sound, with tight, layered vocals and extensively overdubbed guitar parts. However, a slightly shortened version of the original UK single version was eventually released in the US, and the Long-Lost Retake remained officially unreleased until the 1991 Hollywood Records US-only remastered version of the band's debut album, and again later on the 2011 2-disc remaster of A Night At The Opera.