Career
Smith showed a natural aptitude for singing at a young age. At 14, she started singing with a naval air station band led by Saxie Dowell. At 15, she got her first paying job with the Earl Bennett band.
Smith made her professional debut with Louis Prima in 1949 (the couple were married in 1953); Smith played the "straight guy" in the duo to Prima's wild antics and they recorded many duets. These include Johnny Mercer's and Harold Arlen's "That Ol' Black Magic", which was a Top 20 hit in the US in 1958. In 1959, Smith and Prima were awarded the first-ever Grammy Award for Best Performance by a Vocal Group or Chorus for "That Ol' Black Magic". Her "dead-pan" act was a hit with fans. The duo followed up with the minor successes "I've Got You Under My Skin" and "Bei Mir Bist Du Schoen", a revival of the 1937 Andrews Sisters hit. Smith and Prima's act was a mainstay of the Las Vegas lounge scene for much of the 1950s.
Smith appeared with Prima in the 1959 film, Hey Boy! Hey Girl!, singing "Fever", and also appeared in and sang on the soundtrack of the previous year's Thunder Road. Her song in Thunder Road was "Whippoorwill". Her first big solo hit was "I Wish You Love". In 1961, Smith divorced Prima. She then signed with Reprise Records, where her musical director was Nelson Riddle. In 1965, she had Top 20 hits in the United Kingdom with an album of Beatles compositions, and a single, "You're Breaking My Heart". Her Reprise recordings have never been made available on CD.
In 1985, she made a comeback with I'm In Love Again (Fantasy Records). Her albums, Swing, Swing, Swing (2002), Keely Sings Sinatra (2001) for which she was Grammy nominated, and Keely Swings Count Basie Style with Strings (2002) garnered critical and fan acclaim.
In 1998, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to her.
Read more about this topic: Keely Smith
Famous quotes containing the word career:
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)