Keak Da Sneak - Career

Career

Keak da Sneak was born in Alabama where most of his family is from. He found popularity while attending Allendale Elementary School, which he parlayed into later friendships and talent show performances at Oakland's Bret Harte Junior High. Through theater he met his collaborator Agerman. Together, they formed Dual Committee, which, at the age of 15, was first heard on the songs "Murder Man" & "Stompin in My Steel Toes" on C-BO's 1994 EP The Autopsy. Citing the personal growth of all three artists, he later signed as a solo artist with Sacramento-based Moe Doe records. At this point, he began to receive more radio airplay, especially on San Francisco hip-hop station KMEL. He has collaborated with major artists such as E-40. Keak had video play on MTV, MTV2 & BET. Keak was even featured on MTV's My Super Sweet 16.

Read more about this topic:  Keak Da Sneak

Famous quotes containing the word career:

    They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.
    Anne Roiphe (20th century)

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)