Rebel Poet
Nazrul left the army in 1920 and settled in Calcutta, which was then the "cultural capital" of India (it had ceased to be the political capital in 1911). He joined the staff of the “Bangiya Mussalman Sahitya Samiti” ("Bengali Muslim Literary Society") and roomed at 32 College Street with colleagues. He published his first novel "Bandhan-hara" "বাঁধনহারা" ("Freedom from bondage") in 1920, which he kept working on over the next seven years. His first collection of poems included "Bodhan", "Shat-il-Arab", "Kheya-parer Tarani" and "Badal Prater Sharab" and received critical acclaim.
Working at the literary society, Nazrul grew close to other young Muslim writers including Mohammad Mozammel Haq, Afzalul Haq, Kazi Abdul Wadud and Muhammad Shahidullah. He was a regular at clubs for Calcutta's writers, poets and intellectuals like the Gajendar Adda and the Bharatiya Adda. In October 1921, Nazrul went to Santiniketan with Muhammad Shahidullah and met Rabindranath Tagore. Despite many differences, Nazrul looked to Tagore as a mentor and the two remained in close association. In 1921, Nazrul was engaged to be married to Nargis, the niece of a well-known Muslim publisher Ali Akbar Khan, in Daulatpur, Comilla. But on 18 June 1921 —the day of the wedding— upon public insistence by Ali Akbar Khan that the term "Nazrul must reside in Daulatpur after marriage" be included in the marriage contract, Nazrul walked away from the ceremony.
Nazrul reached the peak of fame with the publication of "Bidrohi" in 1922, which remains his most famous work, winning admiration of India's literary classes by his description of the rebel whose impact is fierce and ruthless even as its spirit is deep:.
I am the unutterable grief,
I am the trembling first touch of the virgin,
I am the throbbing tenderness of her first stolen kiss.
I am the fleeting glance of the veiled beloved,
I am her constant surreptitious gaze...
...
I am the burning volcano in the bosom of the earth,
I am the wild fire of the woods,
I am Hell's mad terrific sea of wrath!
I ride on the wings of lightning with joy and profundity,
I scatter misery and fear all around,
I bring earth-quakes on this world! I am the rebel eternal, বিদ্রোহী রণ ক্লান্ত
I raise my head beyond this world,
High, ever erect and alone! (English translation by Kabir Choudhary)
Published in the "Bijli" "বিজলি" (Thunder) magazine, the rebellious language and theme was popularly received, coinciding with the Non-cooperation movement — the first, mass nationalist campaign of civil disobedience against British rule.
Nazrul explores a synthesis of differ forces in a rebel, destroyer and preserver, expressing rage as well as beauty and sensitivity. Nazrul followed up by writing "Pralayollas" ("Destructive Euphoria"), and his first anthology of poems, the "Agniveena" "অগ্নিবীনা" ("Lyre of Fire") in 1922, which enjoyed astounding and far-reaching success. He also published his first volume of short stories, the "Byather Dan" "ব্যাথার দান" ("Gift of Sorrow") and "Yugbani" "যুগবানী", an anthology of essays.
Read more about this topic: Kazi Nazrul Islam
Famous quotes containing the words rebel and/or poet:
“The rebel, unlike the revolutionary, does not attempt to undermine the social order as a whole. The rebel attacks the tyrant; the revolutionary attacks tyranny. I grant that there are rebels who regard all governments as tyrannical; nonetheless, it is abuses that they condemn, not power itself. Revolutionaries, on the other hand, are convinced that the evil does not lie in the excesses of the constituted order but in order itself. The difference, it seems to me, is considerable.”
—Octavio Paz (b. 1914)
“What poet would not grieve to see
His brother write as well as he?
But rather than they should excel,
Hed wish his rivals all in Hell.”
—Jonathan Swift (16671745)