Katsura Imperial Villa - Connections To Traditional Japanese and Buddhist Ideas

Connections To Traditional Japanese and Buddhist Ideas

The Katsura Imperial Villa is a good example of the essence of Japanese traditional design. The Villa combines principles usually used in early Shinto shrines and merges it with the esthetics and philosophy of Zen Buddhism.

Villa incorporates many traditional Japanese ideas. One example of Katsura’s use of traditional ideas is its use of raised floors with tatami mats covering them. Tatami are mats approximately 3 feet by 6 feet in length that are not only used as the floors of the villa, but are also used to define the dimensions of each individual room and the house as a whole. At Katsura, the mats are used to create the sprawling and pinwheel-like plan that it has today. The terraces and porches created by the arrangement of the tatami mates provide opportunities to view the landscape and link interior spaces with the outside world. The floors of each building of the site are also raised as well, which originally was derived from vernacular designs for granaries, as well as early imperial palaces. They serve the purpose of both keeping the floor dry while also giving hierarchy to the space. Another classic characteristic that the Katsura Imperial Villa utilizes is the use of screen walls (the shoji and the fusuma). In traditional Japanese Architecture, the shoji and the fusuma are used to separate the spaces created by the tatami mat into the various rooms of the house. The shoji is the generic term for the white and translucent screen door or wall that is reinforced with wooden lattice and can either be stationary, hanging, or sliding. The fusuma is a subcategory of the shoji and it is the white or painted moving screen partition used on the interior of the house. By moving the fusuma, when in conjunction with a stationary shoji, the resident is able to create new rooms within the architecture. For instance by moving one fusuma wall, one could transform two rooms into one large room and a small storage closet. In the Katsura Imperial Villa, the fusuma allows the rooms to change and open up to the natural world with exterior decks becoming extensions of the interior and framing views of the landscape. An example of this type of transformation is the moon viewing platform connected to the Old Shoin. Besides these characteristics, there are many traditional Japanese ideas that are used in the Katsura Imperial Villa, like the decorative alcove (tokonoma), built-in desk (tsukeshoin) and square posts.

At the Katsura Imperial Villa, the tea houses are perfect examples of how Zen Buddhism has affected the architecture and landscape. The tea ceremony, performed at the pavilions, is a very important part of Japanese society because it is a spiritual ritual symbolizing detached perfection in the Zen tradition, and it has greatly affected the architecture and landscape around it to enhance the experience one receives while in the ceremony. The tea houses were constructed expressly to incorporate the qualities of concord, reverence, pureness, and Isolation that are the very essence of the ritual. The five different tea houses are all separated from the main building and are isolated from everything except for the nature around them; to reach each building, one must take a path that doesn’t reveal the view of the pavilion until the very last moment. The tea houses also use rustic elements such as bark covered wooden supports or irregular shaped wooden pieces as extensions of the natural world, for the tea ceremony aims at fusing the spiritual and the natural. Additionally, the tea houses account for many experiences while you are inside of it. The windows and apertures in the pavilion are at eye level when sitting so that one can feel more in tune and closer to nature and so that one can “admire the cherry blossoms in the spring and the crimson leaves in the autumn… while preparing tea and enjoying exquisite cuisine”. Finally, the interior of the buildings were planned so that the designers imparted their reverence for the materials and spatial harmony, which are intended to promote reflection that will achieve inward simplicity and tranquility of the mind.