Career
In 1979, after writing multiple short-stories for the magazine Action, Otomo created his first science-fiction work, titled Fireball. Although the manga was never completed, it is regarded as a milestone in Otomo's career as it contained many of the same themes he would explore in his later, more successful manga such as Dōmu. Dōmu began serialization in January 1980 and ran for two years until completed. In 1983, it was published in book form and would win the Nihon SF Taisho Award, the Japanese equivalent to the Nebula Award.
In 1982, Otomo made his anime debut, working as character designer for the animated film Harmagedon. The next year, Otomo began work on a manga which would become his most acclaimed and famous work: Akira. It took eight years to complete and would eventually culminate in 2000 pages of artwork. In 1987, Otomo continued working in anime, directing an animated work for the first time: a segment, which he also wrote the screenplay and drew animation for, in the anthology feature Neo Tokyo. He followed this up with two segments in another anthology, Robot Carnival.
While the serialization of Akira was taking place, Otomo decided to animate it into a feature film, although the comic was yet to be finished. In 1988, the animated film Akira was released.
Otomo has recently worked extensively with noted studio Sunrise. The studio has animated and produced his recent projects, including the 2004 feature film Steamboy, 2006's Freedom Project and his latest project, SOS! Tokyo Metro Explorers: The Next, released in 2007.
Otomo is apparently going to be the executive producer of the live action adaptation of his manga series Akira.
In a 2012 interview, Otomo said he will start a new manga series for Shonen Jump, set during Japan’s Meiji period (late 1800′s early 1900′s). It will be his first long-form work since Akira.
Read more about this topic: Katsuhiro Otomo
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
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