People and Culture
The area's beautiful scenery and colourful art-deco style shops and houses attract an alternative and somewhat eccentric subculture. Many poets, artists, environmentalists and numerous eccentric characters reside in Katoomba (and the Blue Mountains, generally) and the town hosts the well-patronised Winter Solstice festival, Winter Magic, that features local talent, art and handicraft. The festival was established in 1994 to provide a local focus for the Blue Mountains-wide Yulefest. Yulefest is a long-running tourism initiative that promotes Northern Hemisphere-style Christmas celebrations during the Australian winter months June to August.
Novelist and historian Eleanor Dark (1901–1985), best known for her historical novel A Timeless Land, lived in Katoomba with her husband Dr. Eric Dark from 1923 until her death. The couple's home "Varuna" is now a writer's centre. In 1921, acclaimed production house duo Raymond Longford and Lottie Lyell filmed The Blue Mountains Mystery in part around the town centre. Ursula Dubosarsky's 1991 time-travel novel Zizzy Zing is set in Katoomba in 1938, at the time of the Sesquicentenary.
Lincoln Hall was a well-known Australian mountaineer and adventurer who lived in the neighbouring town of Wentworth Falls (died 2012). He had written a guidebook on walks and attractions in the area. He was responsible for organising the first Australian ascent of Mount Everest in 1984.
Blues/Roots musician Claude Hay is also a resident of Katoomba, having built his home and recording studio on the outskirts of town. Both of Hay's albums, 2007's Kiss The Sky and 2010s Deep Fried Satisfied were recorded in Katoomba, with the latter earning Hay critical acclaim and a #1 on the Roots Music Report Australian chart and #21 for airplay worldwide in October 2010.
The scenic beauty and tranquillity of Katoomba and the surrounding Blue Mountains area have long made Katoomba a haven for Sydney-siders looking for rest and relaxation. Many celebrities and affluent locals have built or restored houses with magnificent views, especially in Leura, just to the east of Katoomba. As well as attracting a resident artistic community, Katoomba and its environs has also been the inspiration for art and music. For example, Australian artist Peter Kingston, well known as a long time campaigner for the preservation of Sydney's Luna Park) has produced many works inspired by Katoomba and surrounding areas including the etching "Brave and Cruel" which shows a dark figure leaving Leura Railway Station. Another example is The Mexican Spitfires song "Until" which includes lines reflective of the idea of Katoomba as a sanctuary from city life: "In distance I found strength/Katoomba gave me peace of mind."
In addition to its ever-publicised 'alternative' sub-culture, the area is home to a large number of culturally diverse families and has a significant Aboriginal population. Catalina Park commonly known as the Gully was declared an Aboriginal Place in May 2002. It is an ecological and culturally sensitive area with a long history of occupation by the Gundungarra and Darug tribes.
The Gundungurra Tribal Council Aboriginal Corporation which is based in Katoomba is a not for profit organisation representing the Gundungurra traditional owners, promoting heritage and culture and providing a support for Gundungurra people connecting back to Country. Gundungurra Tribal Council Aboriginal Corporation has a registered Native Title Claim since 1995 over their traditional lands which include the Blue Mountains and surrounding areas.
Katoomba is the home of local community radio station BLU FM and the popular Edge 96.1.
Read more about this topic: Katoomba, New South Wales
Famous quotes containing the words people and/or culture:
“Only at his maximum does an individual surpass all his derivative elements, and become purely himself. And most people never get there. In his own pure individuality a man surpasses his father and mother, and is utterly unknown to them.”
—D.H. (David Herbert)
“Our culture still holds mothers almost exclusively responsible when things go wrong with the kids. Sensing this ultimate accountability, women are understandably reluctant to give up control or veto power. If the finger of blame was eventually going to point in your direction, wouldn’t you be?”
—Ron Taffel (20th century)