Writing
Her 1956 book The Nun's Story was a best-selling novel which was made into an award-winning 1959 movie starring Audrey Hepburn and Peter Finch.
Another work, The Undiscovered Country: A Spiritual Adventure published by Little, Brown & Co. was a description of her years as a student of mystic G. I. Gurdjieff. Hulme studied with Gurdjieff as part of a group of women known as "The Rope", which included eight members in all: Jane Heap, Elizabeth Gordon, Solita Solano, Margaret Caroline Anderson, Louise Davidson and Alice Rohrer, besides them.
She is also the author of Wild Place, a description of her experiences as the UNRRA Director of the Polish Displaced Persons (DP) camp at Wildflecken, Germany, after WWII. This work won the Atlantic Non-Fiction Award in 1952.
It was at Wildflecken that Hulme met a Belgian nurse and former nun named Marie Louise Habets, who became her lifelong companion. The Nun's Story is a slightly fictionalized biographical account of Habets' life as a nun.
No one questions that adults and children see the world differently. The former strive for understanding; the latter are captured by wonder—even in the aftermath of a natural disaster. In her 1938 fictionalized autobiography "We Lived as Children," San Francisco native Kathryn Hulme captured this difference, as her persona tells of watching San Francisco burn after the tragic 1906 earthquake.
Read more about this topic: Kathryn Hulme
Famous quotes containing the word writing:
“I write to you out of turn, and believe I must adopt the rule of only writing when I am written to, in hopes that may provoke more frequent letters.”
—Thomas Jefferson (17431826)
“What is line? It is life. A line must live at each point along its course in such a way that the artists presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the souls style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
—Jean Cocteau (18891963)
“In writing these Tales ... at long intervals, I have kept the book-unity always in mind ... with reference to its effect as part of a whole.”
—Edgar Allan Poe (18091849)