Works
Her first book of poetry, Stone And Flower (1943), was published by Tambimuttu, and illustrated by Barbara Hepworth. In 1946 the collection, Living in Time, was released, followed by The Pythoness in 1949. Her Collected Poems (2000) drew from eleven previous volumes of poetry. Her classics include Who Are We? There were many subsequent prose and poetry works, including Blake and Tradition, published in 1968.
The story of her life is told in a three-volume autobiography that is notable for the author's attempts to read (or impose) a structure on her memories that is quasi mythical, thus relating her own life to a larger pattern. This reflects patterns that can be detected in her poetry, in which she was clearly influenced by W. B. Yeats. The three books were originally published separately and later brought together in a single volume, entitled Autobiographies (the title itself is in conscious imitation of Yeats), edited by Lucien Jenkins.
Raine made translations of Honoré de Balzac's Cousine Bette (Cousin Bette, 1948) and Illusions perdues (Lost Illusions, 1951).
She was a frequent contributor to the quarterly journal, Studies in Comparative Religion, which dealt with religious symbolism and the Traditionalist perspective. With Keith Critchlow, Brian Keeble and Philip Sherrard she co-founded, in 1981, Temenos, a periodical, and later, in 1990, the Temenos Academy of Integral Studies, a teaching academy that stressed a multistranded universalist philosophy, and in support of her generally Platonist and Neoplatonist views on poetry and culture. She studied the 18th-century English Platonist Thomas Taylor (1758–1835), and published a selection of his works.
Raine was a research fellow at Girton College from 1955 to 1961, and in 1962 she delivered the Andrew Mellon Lectures at the National Gallery of Art in Washington D.C. She taught at Harvard for at least one course about Myth and Literature offered to teachers and professors in the summer. She also spoke on Yeats and Blake and other topics at the Yeats School in Sligo, Ireland in the summer of 1974. A professor at Cambridge and the author of a number of scholarly books, she was an expert on Coleridge, Blake, and Yeats.
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Famous quotes containing the word works:
“His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
—Henry David Thoreau (1817–1862)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)
“My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
—Hannah More (1745–1833)