Katherine Dunn - Writer

Writer

Dunn's novel Geek Love was a finalist for the National Book Award in 1989. She also wrote the novels Attic (1970) and Truck (1971). In 1989, Dunn announced that she was working on a fourth novel, entitled The Cut Man. She was reportedly still living in Portland and working on the book in 1999. In 2008, it was reported that publisher Alfred A. Knopf had scheduled The Cut Man for release in September, but the novel was not published at that time. An excerpt appeared in the Summer 2010 issue of The Paris Review under the title Rhonda Discovers Art.

Dunn also wrote the text for Death Scenes: A Homicide Detective's Scrapbook (1995), a book of homicide photography; the humorous The Slice: Information with an Attitude (1989) (also published as Why Do Men Have Nipples? And Other Low-Life Answers to Real-Life Questions (1990), which contains her collected newspaper columns from Willamette Week, a Portland weekly newspaper; 3 Day Fox: A Tattoo, a poem; and numerous articles for Playboy, Vogue, and the L.A. Times.

Dunn, who has been described as "one of the better boxing writers in the United States," is an editor and contributor for the online boxing magazine cyberboxingzone.com. Dunn wrote a regular column on boxing for PDXS in the 1990s, in which she at one time provided detailed criticism of Evander Holyfield's sportsmanship in his controversial fight with Mike Tyson. She won the Dorothea Lange—Paul Taylor Award in 2004 for her work on School of Hard Knocks: The Struggle for Survival in America’s Toughest Boxing Gyms. Her essays on boxing were collected in the 2009 anthology One Ring Circus: Dispatches from the World of Boxing.

Read more about this topic:  Katherine Dunn

Famous quotes containing the word writer:

    The writer considers sayability before anything else.
    Mason Cooley (b. 1927)

    Alas! While your ambitious vanity is unceasingly laboring to cover the earth with statues, with monuments, and with inscriptions to eternalize, if possible, your names, and give yourselves an existence, when this body is no more, why must we be condemned to live and die unknown?
    Thomas Paine 1737–1809, U.S. writer and magazine editor. Pennsylvania Magazine, pp. 362-4 (1775)

    Danger lies in the writer becoming the victim of his own exaggeration, losing the exact notion of sincerity, and in the end coming to despise truth itself as something too cold, too blunt for his purpose—as, in fact, not good enough for his insistent emotion. From laughter and tears the descent is easy to snivelling and giggles.
    Joseph Conrad (1857–1924)