Katharine Hepburn - Performances: Technique and Analysis

Performances: Technique and Analysis

"Her best films were when she was presented as a woman on her high horse with slightly pretentious, often comically stated ideas about the world. It was for men to bring her down and get her to reveal herself as quite a good gal, sporty and democratic. We liked the idea that aristocratic people would be humanized by democratic values—in her case, by slightly rough-necked and good-natured males."

—Film historian and critic Richard Schickel explains the typical Hepburn role and its appeal.

According to reports, Hepburn was not an instinctive actor. She liked to study the text and character carefully beforehand, making sure she knew them thoroughly, and then to rehearse as much as possible and film multiple takes of a scene. With a genuine passion for the industry she committed heavily to each role, and insisted on learning any necessary skills and performing stunts herself. She was known to learn not only her own lines but also those of her co-stars. Commenting on her motivation, Stanley Kramer said, "Work, work, work. She can work till everyone drops." Hepburn involved herself in the production of each of her films, making suggestions for the script and stating her opinion on everything from costumes to lighting to camerawork.

The characters Hepburn played were, with very few exceptions, wealthy and intelligent, and often strong and independent. These tough characters tended to be humbled in some form and revealed to have a hidden vulnerability. Garson Kanin described what he called "the formula for a Hepburn success: A high-class, or stuck-up ... girl is brought down to earth by an earthy type, or a lowbrow ... or a cataclysmic situation. It seems to have worked time and time again." Due to this repeated character arc, Britton sees Hepburn as embodying the "contradictions" of the "nature and status of women", as the strong females she depicts are eventually "restored to a safe position within the status quo". Film critic Molly Haskell has commented on the importance of this to Hepburn's career: with an intimidating presence, it was necessary that her characters "do some kind of self-abasement, to stay on the good side of the audience."

Hepburn is one of America's most celebrated actresses, but she has also been criticized for a lack of versatility. Her on-screen persona closely matched her own real personality, something Hepburn admitted herself. In 1991 she told a journalist, "I think I'm always the same. I had a very definite personality and I liked material that showed that personality." Playwright and author David Macaray has said, "Picture Katharine Hepburn in every movie she ever starred in and ask yourself if she's not playing, essentially, the same part over and over ... Icon or no icon, let's not confuse a truly fascinating and unique woman with a superior actress." Another repeated criticism is that her demeanor was too cold.

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