Actors
Further information: List of Kath & Kim characters- Main
- Jane Turner as Kath Day-Knight
- Gina Riley as Kim Craig
- Magda Szubanski as Sharon Strzelecki
- Glenn Robbins as Kel Knight
- Peter Rowsthorn as Brett Craig
- Zara Harrington, Emma Le Boeuf and Makayla Berkers as Epponnee-Rae Craig
- Recurring
- Jane Turner as Prue (8 episodes + TV Movie)
- Gina Riley as Trude (8 episodes + TV Movie)
- Marg Downey as Marion (6 episodes)
- Mick Molloy as Gary Poole, Kim's father (2 episodes)
- William McInnes as Sandy Freckle, long-time friend of Kel (2 episodes)
- Tony Martin as Mark, romantic interest of Sharon (4 episodes)
- Peta Brady as Kelly, Brett's supervisor at work (4 episodes + TV Movie)
- Mark Trevorrow as Daryl Lee (3 episodes + TV Movie)
- Luke Lennox as Brodie (1 episode + TV Movie)
- Guest
- Eric Bana (as himself)
- Alan Brough
- Michael Bublé (as himself)
- Sibylla Budd
- Rhonda Burchmore
- Glenn Butcher
- John Clarke (Owns the Day house in real life with his wife Rhonda)
- Vince Colosimo
- Gerry Connolly
- Rachel Griffiths
- Donna Hay (as herself)
- Mark Holden (as himself)
- Barry Humphries
- Colin Lane
- Matt Lucas (as Sharon's sister)
- Judith Lucy
- Rove McManus (as himself)
- Andrew O'Keefe (as himself)
- Geoffrey Rush
- Rob Sitch
- Shane Warne (as a Shane Warne impersonator)
- The Wiggles (as themselves)
- Frank Woodley
- Kylie Minogue (as an adult Epponnee-Rae Craig)
Several guest stars are well-known Australian comedy performers, some of whom previously worked with Turner or Riley. Buble and Lucas were fans of the show and asked to appear in it. Humphries declared himself a fan of the series before taking part.
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Famous quotes containing the word actors:
“The actors today really need the whip hand. They’re so lazy. They haven’t got the sense of pride in their profession that the less socially elevated musical comedy and music hall people or acrobats have. The theater has never been any good since the actors became gentlemen.”
—W.H. (Wystan Hugh)
“Today the young actors regard their environment with rage and disgust. They regard their Master not as disciples regard their Master, but as slaves regard their Master.”
—Judith Malina (b. 1926)
“The motives to actions and the inward turns of mind seem in our opinion more necessary to be known than the actions themselves; and much rather would we choose that our reader should clearly understand what our principal actors think than what they do.”
—Sarah Fielding (1710–1768)