Work
It was the death of her brother in the First World War that led Roberts to writing. She used her literary work as a means of coming to terms with her loss.
Her first volume of short stories appeared in 1925 O gors y bryniau ("From the swamp of the hills") but perhaps her most successful book of short stories is Te yn y grug ("Tea in the heather") (1959), a series of stories about children. As well as short stories Roberts also wrote novels, perhaps her most famous being Traed mewn cyffion ("Feet in chains") (1936) which reflected the hard life of a slate quarrying family. In 1960 she published Y lôn wen, a volume of autobiography.
Most of her novels and short stories have as a background about the region where she lived in north Wales. She herself said that she derived the material for her work, "from the society in which I was brought up, a poor society in an age poverty ... it was always a struggle against poverty. But notice that the characters haven't reached the bottom of that poverty, they are struggling against it, afraid of it." Her work deals with the uneventful lives of humble people and how they deal with difficulties and disillusionments.
Her work is remarkable for the richness of her language and for her perception. The role of women in society and progressive ideas about life and love are major themes in her work.
She also struck up a literary relationship with Saunders Lewis which they maintained over a period of forty years through the medium of letters. These letters give us a picture of life in Wales during the period and the comments of these two literary giants on events at home and abroad.
Many of her works have been translated into other languages.
Read more about this topic: Kate Roberts (author)
Famous quotes containing the word work:
“Only an idiot would ask Wolfie to work on that stuff—twelve foot snakes, magic flutes.”
—Peter Shaffer (b. 1926)
“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)
“A work in progress quickly becomes feral. It reverts to a wild state overnight. It is barely domesticated, a mustang on which you one day fastened a halter, but which now you cannot catch. It is a lion you cage in your study. As the work grows, it gets harder to control; it is a lion growing in strength. You must visit it every day and reassert your mastery over it. If you skip a day, you are, quite rightly, afraid to open the door to its room.”
—Annie Dillard (b. 1945)