Career
O'Mara made her stage debut in a production of The Merchant of Venice in 1963. Her earliest television appearances included guest roles on Danger Man, Adam Adamant Lives!, The Saint, Z-Cars and The Avengers in the 1960s. In 1970, she appeared in two Hammer Studio horror films; The Vampire Lovers and The Horror of Frankenstein. In 1975, she had a regular role in the BBC drama series The Brothers as Jane Maxwell.
In the early 1980s, O'Mara starred in the BBC soap opera Triangle. In 1985, she played the Rani in the Doctor Who adventure "The Mark of the Rani". In 1986, she was cast as Caress Morrell in the American primetime soap opera Dynasty. Playing the sister of Alexis Colby (Joan Collins), O'Mara appeared in 17 episodes of the sixth season and 4 episodes of the seventh. After returning to the UK, she appeared in her second Doctor Who story, "Time and the Rani" in 1987. She was then later cast as another scheming villain, Laura Wilde, in the BBC soap Howards' Way in 1989.
O'Mara continued to make television appearances throughout the 1990s, including Cluedo and Absolutely Fabulous. In 2001, she had a recurring role in the ITV prison drama series Bad Girls before appearing in the short-lived revival of the soap opera Crossroads. She has continued to perform on stage and in March 2008 she played Marlene Dietrich in a stage play entitled Lunch with Marlene. From August to November 2008, she played Mrs Cheveley in Oscar Wilde's stage play 'An Ideal Husband' directed by Peter Hall and produced by Bill Kenwright.
O'Mara has also performed in radio and audio plays. In 2000 she reprised her role as the Rani in the BBV audio play The Rani Reaps the Whirlwind, and in 2006 she made a guest appearance in the radio comedy series Nebulous.
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Famous quotes containing the word career:
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)