Kate Bush

Kate Bush

Catherine "Kate" Bush (born 30 July 1958) is an English singer-songwriter, musician and record producer. Her eclectic musical style and idiosyncratic vocal style have made her one of the United Kingdom's most successful solo female performers of the past 30 years.

In 1978, at the age of 19, Bush topped the UK Singles Chart for four weeks with her debut single "Wuthering Heights", becoming the first woman to have a UK number one with a self-written song. She has since released ten albums, three of which topped the UK Albums Chart, and has had 25 UK Top 40 hit singles including the Top 10 hits "Wuthering Heights", "Running Up that Hill", "King of the Mountain", "Babooshka", "The Man with the Child in His Eyes", and "Don't Give Up".

In 1987, she won a Brit Award for Best British Female Solo Artist, and in 2002, her songwriting ability was recognised with an Ivor Novello Award for Outstanding Contribution to British Music. During the course of her career, she has also been nominated for three Grammy Awards. After her 1979 tour – the only concert tour of her career – Bush released the 1980 album Never for Ever, which made her the first British solo female artist to top the UK album charts and the first female artist ever to enter the album chart at Number 1. She is also the first (and to date only) female artist to have Top 5 albums in the UK charts in 5 successive decades.

Read more about Kate Bush:  Early Life, Career, Musical Style, Length of Time Between Albums and Perception of Perfectionism, Live Performances, Video Projects, Film Projects, Collaborations, Influence, Personal Life, Discography

Famous quotes containing the words kate and/or bush:

    Truly, My Satan, thou art but a Dunce,
    And dost not know the Garment from the Man.
    Every Harlot was a Virgin once,
    Nor can’st thou ever change Kate into Nan.
    William Blake (1757–1827)

    ...I remembered the rose bush that had reached a thorny branch out through the ragged fence, and caught my dress, detaining me when I would have passed on. And again the symbolism of it all came over me. These memories and visions of the poor—they were the clutch of the thorns. Social workers have all felt it. It holds them to their work, because the thorns curve backward, and one cannot pull away.
    Albion Fellows Bacon (1865–1933)