Features Open To Public Viewing
The two major features of the caverns currently available to the public are the Throne Room and the Big Room. The Throne Room contains one of the world's longest (21 ft 2 in (6.45 m)) soda straw stalactites and a 58-foot (18 m) high column called Kubla Khan, after the poem. The Big Room contains the world's most extensive formation of brushite moonmilk; it is closed during the summer for several months (April 15 to October 15) each year because it is a nursery roost for over 1,000 cave bats.
Other features publicly accessible within the caverns include Mud Flats, Rotunda Room, Strawberry Room, and Cul-de-sac Passage.
Read more about this topic: Kartchner Caverns State Park
Famous quotes containing the words features, open, public and/or viewing:
“It is a tribute to the peculiar horror of contemporary life that it makes the worst features of earlier timesthe stupefaction of the masses, the obsessed and driven lives of the bourgeoisieseem attractive by comparison.”
—Christopher Lasch (b. 1932)
“A temple, you know, was anciently an open place without a roof, whose walls served merely to shut out the world and direct the mind toward heaven; but a modern meeting-house shuts out the heavens, while it crowds the world into still closer quarters.”
—Henry David Thoreau (18171862)
“Wags try to invent new stories to tell about the legislature, and end by telling the old one about the senator who explained his unaccustomed possession of a large roll of bills by saying that someone pushed it over the transom while he slept. The expression It came over the transom, to explain any unusual good fortune, is part of local folklore.”
—For the State of Montana, U.S. public relief program (1935-1943)
“A lover is never a completely self-reliant person viewing the world through his own eyes, but a hostage to a certain delusion. He becomes a perjurer, all his thoughts and emotions being directed with reference, not to an accurate and just appraisal of the real world but rather to the safety and exaltation of his loved one, and the madness with which he pursues her, transmogrifying his attention, blinds him like a victim.”
—Alexander Theroux (b. 1940)