Education and Early Stage Work
In September 1934, Malden decided to leave his home in Gary, Indiana, to pursue formal dramatic training at the Goodman School (later part of DePaul University), then associated with the Goodman Theater in Chicago. Although he had worked in the steel mills in Gary for three years, he had helped support his family, and was thus unable to save enough money to pay for his schooling. Making a deal with the director of the program, he gave the institute the little money that he did have, with the director agreeing that, if Malden did well, he would be rewarded with a full scholarship. He won the scholarship. When Malden performed in the Goodman's children's theater, he wooed the actress Mona Greenberg (stage name: Mona Graham), who married him in 1938. He graduated from the Chicago Art Institute in 1937. Soon after, without work and without money, Malden returned to his hometown.
Read more about this topic: Karl Malden
Famous quotes containing the words education, early, stage and/or work:
“I would urge that the yeast of education is the idea of excellence, and the idea of excellence comprises as many forms as there are individuals, each of whom develops his own image of excellence. The school must have as one of its principal functions the nurturing of images of excellence.”
—Jerome S. Bruner (20th century)
“Some men have a necessity to be mean, as if they were exercising a faculty which they had to partially neglect since early childhood.”
—F. Scott Fitzgerald (18961940)
“Could it not be that just at the moment masculinity has brought us to the brink of nuclear destruction or ecological suicide, women are beginning to rise in response to the Mothers call to save her planet and create instead the next stage of evolution? Can our revolution mean anything else than the reversion of social and economic control to Her representatives among Womankind, and the resumption of Her worship on the face of the Earth? Do we dare demand less?”
—Jane Alpert (b. 1947)
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, You who are so fond of hawthorns, look at this pink thorn, isnt it lovely?”
—Marcel Proust (18711922)