Karel Goeyvaerts - Selected Works

Selected Works

  • Opera: Aquarius (L'ère du verseau) (1983–92)
  • Orchestra
    • Violin Concerto No. 1 (1948)
    • Violin Concerto No. 2 (1951)
    • Zomerspelen (1961)
    • Al naar gelang (1971)
    • Litanie III (1980)
    • Aquarius (concert version) (1991)
  • Ensemble
    • Tre Lieder per sonar a venti-sei (1949)
    • Nr. 2 voor 13 instrumenten (1951)
    • Nr. 3 met gestreken en geslagen tonen (1952)
    • Nr. 6 met 180 klankvoorwerpen (1954)
    • Pour que les fruits mûrissent cet été, for 14 Renaissance instruments (1975)
    • Erst das Gesicht... (1978)
    • Zum Wassermann (1984)
    • Avontuur (1985)
    • De Heilige Stad (1986)
    • Das Haar (1990)
  • Vocal-instrumental
    • Elegische muziek (1950)
    • Mis voor Paus Johannes XXIII (1968)
    • Bélise dans un jardin (1972)
    • Litanie IV, for soprano, flute, clarinet, piano, violin, and cello (1981)
    • De Stemmen van de Waterman (1985)
  • Choir: Mon doux pilote s'endort aussi (1976)
  • Chamber music
    • Op. 1, Sonata for 2 pianos (1951),
    • Ach Golgatha!, for percussion, harp, and organ (1975)
    • Honneurs funèbres à la tête musicale d’Orphée, for 6 ondes Martenot (1978)
    • Litanie II, for 3 percussionists (1980)
    • Aemstel Kwartet (1985)
    • De Zeven Zegels, for string quartet (1986)
    • Voor Strijkkwartet (1992)
  • Piano
    • Litanie I (1979)
    • Pas à Pas (1985)
  • Tape:
    • Nr. 4 met dode tonen (1952)
    • Nr. 5 met zuivere tonen (1953)
    • Nr. 7 met convergerende en divergerende niveaus (1955)
    • Nachklänge aus dem Theater I–II (1972)
  • Instrument(s) plus tape:
    • Stuk voor piano en tape (1964)
    • Piano Quartet (1972)
    • You'll Never Be Alone Anymore (1975)
    • Litanie V, for harpsichord and tape (1982)

Read more about this topic:  Karel Goeyvaerts

Famous quotes containing the words selected and/or works:

    “There is no reason why parents who work hard at a job to support a family, who nurture children during the hours at home, and who have searched for and selected the best [daycare] arrangement possible for their children need to feel anxious and guilty. It almost seems as if our culture wants parents to experience these negative feelings.”
    —Gwen Morgan (20th century)

    “A complete woman is probably not a very admirable creature. She is manipulative, uses other people to get her own way, and works within whatever system she is in.”
    —Anita Brookner (b. 1938)