General
Kannada script has forty-nine characters in its alphasyllabary and is phonemic. The Kannada character set is almost identical to that of other Indian languages. The number of written symbols, however, is far more than the 49 characters in the alphasyllabary, because different characters can be combined to form compound characters (ottaksharas). Each written symbol in the Kannada script corresponds with one syllable, as opposed to one phoneme in languages like English. The Kannada writing system is an abugida, with consonants appearing with an inherent vowel.
The characters are classified into three categories: swaras (vowels), vyanjanas (consonants) and Yogavaahakas (part vowel, part consonants).
The name given for a pure, true letter is akshara, akkara or varna. Each letter has its own form (ākāra) and sound (shabda); providing the visible and audible representations, respectively. Kannada is written from left to right. Kannada alphabet (aksharamale or varnamale) now consists of 49 letters.
Each sound has its own distinct letter, and therefore every word is pronounced exactly as it is spelt; so the ear is a sufficient guide. After the exact sounds of the letters have been once gained, every word can be pronounced with perfect accuracy. The accent falls on the first syllable.
Read more about this topic: Kannada Alphabet
Famous quotes containing the word general:
“The general will is always right.”
—Jean-Jacques Rousseau (1712–1778)
“The world can doubtless never be well known by theory: practice is absolutely necessary; but surely it is of great use to a young man, before he sets out for that country, full of mazes, windings, and turnings, to have at least a general map of it, made by some experienced traveller.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.”
—Johan Huizinga (1872–1945)