Career
Roberts was the guitarist who played on Alice Cooper's Constrictor and Raise Your Fist and Yell and their respective tours. He is the man responsible for Alice's metal years in the late '80s as he co-wrote nearly every track from those albums. Just by being on stage, he was a part of the show with his huge physique and rocket shooting guitars.
After "Raise Your Fist", Kane released his first solo album, Kane Roberts, which featured Alice lyrics on 'Full Pull'. He then guested on Trash, playing guitar on "Bed Of Nails". He then released a second solo album Saints and Sinners.
While he is primarily a guitar player, Roberts is also a skilled vocalist, capable of extreme high range, as is evident on his solo projects. Saints and Sinners contained the Bon Jovi-penned "Does Anybody Really Fall In Love Anymore?", previously recorded by Cher as well.
He also played on the Bob Ezrin produced Count Three & Pray album by Berlin, and a Rod Stewart album. He helped on backing vocals on Steve Vai's "Sex & Religion"album. He also co-wrote "Take It Off" With Paul Stanley and Bob Ezrin which appeared on Kiss' Revenge album.
He contributed to albums by Status Quo (Quo), Steve Vai (Sex & Religion) and Desmond Child (Discipline).
Roberts took a long hiatus from music after his second solo album, but returned in 1999 with a band called Phoenix Down, named for a life potion in the PlayStation video game Final Fantasy VII, one of Roberts' favorite games. Phoenix Down recorded only one album, entitled Under A Wild Sky. Fans of both say that much of the record is inspired by the game.
After several years away from the music industry, working in graphic arts and as a video game programmer, Roberts began work on a new album, Touched, in 2006. According to his website kaneroberts.com it is not yet available.
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Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)