Kamau Brathwaite - Critical Writing About Brathwaite

Critical Writing About Brathwaite

  • Kelly Baker Josephs. "Versions of X/Self: Kamau Brathwaite's Caribbean Discourse." Anthurium, 1.1 (Fall 2003): http://scholar.library.miami.edu/anthurium/volume_1/issue_1/josephs-versions.htm.
  • June Bobb. Beating a Restless Drum: The Poetics of Kamau Brathwaite and Derek Walcott. New York: Africa World Press, 1997.
  • Stuart Brown. The Art of Kamau Brathwaite. Wales: Seren, 1996.
  • Loretta Collins. "From the 'Crossroads of Space' to the (dis)Koumforts of Home: Radio and the Poet as Transmuter of the Word in Kamau Brathwaite's 'Meridian' and Ancestors." Anthurium, 1.1 (Fall 2003): http://scholar.library.miami.edu/anthurium/volume_1/issue_1/collins-crossroads.htm
  • Raphael Dalleo. "Another 'Our America': Rooting a Caribbean Aesthetic in the Work of José Martí, Kamau Brathwaite and Édouard Glissant." Anthurium, 2.2 (Fall 2004): http://scholar.library.miami.edu/anthurium/volume_2/issue_2/dalleo-another.htm.
  • Montague Kobbe, "Caribbean Identity and Nation Language in Kamau Brathwaite." Latineos, 12/23/2010. http://latineos.com/en/articles/literature/item/71-caribbean-identity-nation-language-kamau-brathwaite.html. Retrieved 10/18/2012.
  • Melanie Otto, A Creole Experiment: Utopian Space in Kamau Brathwaite's "Video-Style" Works. Trenton, NJ: Africa World Press, 2009.
  • Anna Reckin: "Tidalectic Lectures: Kamau Brathwaite's Prose/Poetry as Sound-Space." Anthurium, 1.1 (Fall 2003): http://scholar.library.miami.edu/anthurium/volume_1/issue_1/reckin-tidalectic.htm.

Read more about this topic:  Kamau Brathwaite

Famous quotes containing the words critical writing, critical and/or writing:

    Most critical writing is drivel and half of it is dishonest.... It is a short cut to oblivion, anyway. Thinking in terms of ideas destroys the power to think in terms of emotions and sensations.
    Raymond Chandler (1888–1959)

    I know that I will always be expected to have extra insight into black texts—especially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.
    Claire Oberon Garcia, African American scholar and educator. Chronicle of Higher Education, p. B2 (July 27, 1994)

    The writing of a poem is like a child throwing stones into a mineshaft. You compose first, then you listen for the reverberation.
    James Fenton (b. 1949)