Kakadu National Park - Aboriginal Rock Art Sites

Aboriginal Rock Art Sites

The art sites of Ubirr, Burrunguy (Nourlangie Rock) and Nanguluwur are internationally recognised as outstanding examples of Aboriginal rock art. These sites are found in rocky outcrops that have afforded shelter to Aboriginal inhabitants for thousands of years. The painting in these rock shelters were done for various reasons:

  • Hunting - animals were often painted to increase their abundance and to ensure a successful hunt by placing people in touch with the spirit of the animal
  • Religious significance - at some sites paintings depict aspects of particular ceremonies
  • Stories and learning - stories associated with the Creation Ancestors, who gave shape to the world were painted
  • Sorcery and magic - paintings could be used to manipulate events and influence people's lives; fun-for play and practice.

Ubirr is a group of rock outcrops in the northeast of the park, on the edge of the Nadab floodplain. There several large rock overhangs that would have provided excellent shelter to Aboriginal people over thousands of years. Ubirr’s proximity to the East Alligator River and Nadab floodplains means that food would have been abundant and this is reflected in much of the rock art here. Animals depicted in the main gallery include barramundi, catfish, mullet, goanna, snake-necked turtle, pig-nosed turtle, Rock-haunting Ringtail Possum, and wallaby and thylacine (Tasmanian Tiger).

There are also images of the Rainbow Serpent said to have created much of the landscape as well as mischievous Mimi spirits and the story of the Namarrgarn Sisters. Many stories connected to Aboriginal rock are highly complex and linked to other stories. Often the true meanings have been lost, but they all have a purpose which is usually to serve as a lesson or a warning to the young or to those passing through the area.

Burrunguy, formally called Nourlangie Rock, is located in an outlying formation of the Arnhem Land Escarpment. There are a number of shelters in amongst this large outcrop linked by paths and stairways. The shelters contain several impressive paintings that deal with creation ancestors. Some of the stories connected to these artworks are known only to certain Aboriginal people and remain secret.

Anbangbang Billabong lies in the shadow of Nourlangie Rock and is inhabited by a wide range of wildlife which would have sustained traditional Aboriginal people well.

Nanguluwur is a small art site, near Nourlangie, which displays several rock art styles. These include hand stencils, dynamic figures in large head-dresses carrying spears and boomerangs, representations of Namandi spirits and mythical figures, including Alkajko, a female spirit with four arms and horn-like protuberances. There is also an interesting example of ‘contact art’ depicting a two-masted sailing ship with anchor chain and a dinghy trailing behind.

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