Money: A Major Body of Cash
During the build up to the presentation of the K Foundation art award to Rachel Whiteread on 23 November 1993, the K Foundation presented their first artwork to the press. Nailed To A Wall, "the first of a series of K Foundation art installations that will also include one million pounds in a skip, one million pounds on a table and several variants on the theme of Tremendous Amounts Of Folding", consisted of one million pounds in £50 notes, nailed to a large framed board. Nailed To A Wall had a reserve price of £500,000, half the face value of the cash used in its construction, which Scotland on Sunday's reporter Robert Dawson Scott was "fairly confident... really was £1 million ". The catalogue entry for the artwork stated: "Over the years the face value will be eroded by inflation, while the artistic value will rise and rise. The precise point at which the artistic value will overtake the face value is unknown. Deconstruct the work now and you double your money. Hang it on a wall and watch the face value erode, the market value fluctuate, and the artistic value soar. The choice is yours."
Collectively, the K Foundation's money-as-art works were titled Money: A Major Body Of Cash, "seven pieces, all involving various amounts of cash nailed to, tied to or simply standing on inanimate objects". The Face magazine neatly summed up the concepts behind the art project:
| “ | If there is any overriding theme to all this unfathomable rhetoric, it's that money has become the root of all art. The questions posed in the K Foundation's first catalogue all hint at this idea: "How beautiful is money?" "Why do we try and make money measure the immeasurable?" "Have you ever shagged somebody who works in a bank?" In short, "What is money?"
To add further weight to this theory, they also pull off a neat conceptual punchline. Their art is made out of cash. The face value of that cash is obvious. The artistic value, until somebody buys it and gives it artistic status, is zero. The K Foundation have put a price on these works precisely halfway between their current monetary value and their artistic value. The joke being that if you were to buy the piece called 10,000 (four piles of mint fifties nailed to a plank of salvaged skirting board) for the asking price of 5,000 (ono), you stand to pocket five grand if you destroy the art and spend the money. Alternatively, hang it on your wall and see the cash value eroded by inflation while the artistic value soars. It's the sale of the century! |
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During the first half of 1994, the K Foundation attempted to interest galleries in staging Money: A Major Body Of Cash. However, even old friend Jayne Casey, director of the Liverpool Festival Trust, was unable to persuade a major gallery to participate. "'The Tate, in Liverpool, wanted to be part of the 21st Century Festival I'm involved with,' says Casey. 'I suggested they put on the K Foundation exhibition; at first they were encouraging, but they seemed nervous about the personalities involved.' A curt fax from... the gallery curator, informed Casey that the K Foundation's exhibition of money had been done before and more interestingly", leaving Drummond and Cauty obliged to pursue other options. The duo considered taking the exhibition across the former Soviet Union by train and on to the USA, but no insurer would touch the project. Then an exhibition at Dublin's Kilmainham Jail was considered. No sooner had a provisional date of August been set for the exhibition, however, when the duo changed their minds yet again. "Jimmy said: 'Why don't we just burn it?' remembers Drummond. 'He said it in a light-hearted way, I suppose, hoping I'd say: 'No, we can't do that, let's do this...' But it seemed the most powerful thing to do." Cauty: "We were just sitting in a cafe talking about what we were going to spend the money on and then we decided it would be better if we burned it. That was about six weeks before we did it. It was too long, it was a bit of a nightmare."
Read more about this topic: K Foundation
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