Justify My Love - Critical Reception

Critical Reception

"Justify My Love" received critical acclaim from many music critics. In a separate review from Allmusic, they gave the song four-and-a-half stars out of five, stating " stands as one of the best of Madonna's long history of well-packaged maxi-singles, and further helped set a precedent for the maxi-single market." In a review from Entertainment Weekly, reviewed by David Browne, he gave it a positive remark saying that people who have a "hoo-haa" surrounding the banning of the single "underestimate her". Rolling Stone had said along with "Rescue Me" are "worthy sensual newies". While reviewing Celebration, Bill Lamb from About.com said "Songs such as "Justify My Love" that sounded a little over-indulgent when first released have worn very well over time." Alexandra Capotorto from PopCrush.com said "'Justify My Love' is perfectly constructed lovemaking music. While this track might be oozing sex, it's the NSFW music video that caused the most drama "

In an extended review with Sputnikmusic, the gave the song five out of five stars. They explained;

"Saving the best for (almost) last here. After the steady upward curve of the album up till this point, this is the climax, as it were. Built over yearning strings and that ever-present Funky Drummer sample, Madonna produces one of the most deeply sexual vocal performances of all time. "Talk to me. Tell me your dreams. Am I in them?" Stunning. Interesting fact #2 - this was produced by Lenny Kravitz."

Read more about this topic:  Justify My Love

Famous quotes containing the words critical and/or reception:

    An art whose medium is language will always show a high degree of critical creativeness, for speech is itself a critique of life: it names, it characterizes, it passes judgment, in that it creates.
    Thomas Mann (1875–1955)

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)