In Literature
Perhaps Juno's most prominent appearance in Roman literature is as the primary antagonistic force in Virgil's Aeneid, where she is depicted as a cruel and savage goddess intent upon supporting first Dido and then Turnus and the Rutulians against Aeneas' attempt to found a new Troy in Italy. There has been some speculation—such as by Maurus Servius Honoratus, an ancient commentator on the Aeneid—that she is perhaps a conflation of Hera with the Carthaginian storm-goddess Tanit in some aspects of her portrayal here.
Juno is also mentioned in The Tempest in Act IV, Scene I; she appears in a supernatural masque, portrayed by spirits conjured by Prospero. She relates to Prospero as they are both leaders in their realm and have spirit like messengers who are very loyal (Juno has Iris, Prospero has Ariel). William Shakespeare repeatedly mentions Juno throughout the play Antony and Cleopatra, often in forms of exclamation by the characters.
Juno is a major character in the Heroes of Olympus series by Rick Riordan. Her goal in the series is to bring the Greek and Roman demigods together against the Gigantes. She had earlier been a supporting character in the Percy Jackson & the Olympians series, under the name Hera.
Read more about this topic: Juno (mythology)
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“Woe to that nation whose literature is cut short by the intrusion of force. This is not merely interference with freedom of the press but the sealing up of a nation’s heart, the excision of its memory.”
—Alexander Solzhenitsyn (b. 1918)
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)