Film
In the mid 1960s writer Tom Wolfe researched and wrote an article about Johnson, published March 1965 in Esquire, and reprinted in Wolfe's The Kandy-Kolored Tangerine Flake Streamline Baby (1965) (in turn reprinted in The Best American Sports Writing of the Century, ed. David Halberstam ). The article, originally entitled "Great Balls of Fire", turned Johnson into a national celebrity and led to fame beyond the circle of NASCAR fans. In turn, the article was made into a 1973 movie based on Johnson's career as a driver and moonshiner. The movie was entitled The Last American Hero (a.k.a. Hard Driver). Jeff Bridges starred as the somewhat fictionalized version of Johnson, and Johnson himself served as technical advisor for the film. The movie was critically acclaimed and featured the Jim Croce hit song, "I Got A Name."
Follow Your Dreams Productions' President and CEO, Fred Griffith, has signed a rights deal for a true life story movie about Junior Johnson.(Sports Illustrated Vault, 2006) Unlike "The Last American Hero" which was about a fictionalized character name Junior "Jackson". Griffith, an American actor and producer from South Carolina, is currently adapting a screenplay based largely on the book, "Junior Johnson, Brave In Life," written by Tom Higgins and Steve Waid.(Big West Racing, 2006) Veteran actor and producer Chris Mulkey is a writing producer for the film. According to Griffith this film will remain true to the real life of Junior Johnson.(Morris 2006, p. C-1)
Read more about this topic: Junior Johnson
Famous quotes containing the word film:
“I’ll be right here.”
—Melissa Mathison, U.S. screenwriter, and Steven Spielberg. ET, ET The Extra-Terrestrial, saying goodbye to Elliot as he touches Elliot’s forehead—ET’s final words in the film (1982)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)