Film
In the mid 1960s writer Tom Wolfe researched and wrote an article about Johnson, published March 1965 in Esquire, and reprinted in Wolfe's The Kandy-Kolored Tangerine Flake Streamline Baby (1965) (in turn reprinted in The Best American Sports Writing of the Century, ed. David Halberstam ). The article, originally entitled "Great Balls of Fire", turned Johnson into a national celebrity and led to fame beyond the circle of NASCAR fans. In turn, the article was made into a 1973 movie based on Johnson's career as a driver and moonshiner. The movie was entitled The Last American Hero (a.k.a. Hard Driver). Jeff Bridges starred as the somewhat fictionalized version of Johnson, and Johnson himself served as technical advisor for the film. The movie was critically acclaimed and featured the Jim Croce hit song, "I Got A Name."
Follow Your Dreams Productions' President and CEO, Fred Griffith, has signed a rights deal for a true life story movie about Junior Johnson.(Sports Illustrated Vault, 2006) Unlike "The Last American Hero" which was about a fictionalized character name Junior "Jackson". Griffith, an American actor and producer from South Carolina, is currently adapting a screenplay based largely on the book, "Junior Johnson, Brave In Life," written by Tom Higgins and Steve Waid.(Big West Racing, 2006) Veteran actor and producer Chris Mulkey is a writing producer for the film. According to Griffith this film will remain true to the real life of Junior Johnson.(Morris 2006, p. C-1)
Read more about this topic: Junior Johnson
Famous quotes containing the word film:
“To read a newspaper for the first time is like coming into a film that has been on for an hour. Newspapers are like serials. To understand them you have to take knowledge to them; the knowledge that serves best is the knowledge provided by the newspaper itself.”
—V.S. (Vidiadhar Surajprasad)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. They’re obliged to overstate their own importance.”
—François Truffaut (1932–1984)