Plot
Chick Allen (Dean Martin) is a paratrooper. He invites his former partner, Hap Smith (Jerry Lewis), to help out with a show that he and the other soldiers are preparing. However, the general is unhappy with the quality of past shows and is threatening to eliminate them unless the quality improves, which is why Chick has invited Hap to help.
Hap, who has continued the nightclub act with a new partner, Betsy Carter (Mona Freeman), poses as a soldier so that he can do one performance for Chick with the general in the audience. However, the show impresses the general so much that he arranges for the show (including Hap) to tour other camps. Fearing a court-martial, Chick and the rest of the performers pass Hap off as Private "Dogface" Dolan, while the real "Dogface" (Dick Erdman) goes into hiding.
Hap undergoes paratrooper training to keep up the ruse, but he is very accident prone. However, it works to his benefit as everything he does inadvertently is the 'correct military conduct'. The top sergeant (Robert Strauss) takes notice and praises him.
Understandably, Hap wants to return to civilian life and tries to sneak away at any chance he can get, but Chick always manages to stop him. During one of his escape attempts, during some war maneuvers, Hap destroys a key bridge and captures an enemy general. Hap is eventually exposed as a civilian, but is sworn in as a paratrooper and becomes a hero.
Read more about this topic: Jumping Jacks
Famous quotes containing the word plot:
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)